A GEORGE III MAHOGANY SERPENTINE CHEST
A GEORGE III MAHOGANY SERPENTINE CHEST
A GEORGE III MAHOGANY SERPENTINE CHEST
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This lot will be removed to Christie’s Park Royal.… 显示更多 88 FULHAM ROAD, SOLD UNDER THE DIRECTION OF MICHAEL HUGHES LTD AND PETER LIPITCH LTD (LOTS 1-76)
A GEORGE III MAHOGANY SERPENTINE CHEST

BY HENRY KETTLE, CIRCA 1790

细节
A GEORGE III MAHOGANY SERPENTINE CHEST
BY HENRY KETTLE, CIRCA 1790
The shaped superstructure with inlaid quatrefoils, on satinwood-crossbanded serpentine top, above five graduated cedar-lined frieze drawers, each with original brass swing handles with acanthus-centred plate, with shaped apron and splayed bracket feet, the top drawer with label for 'HENRY KETTLE, NO. 23 ST PAUL's CHURCH-YARD, LONDON'
70 ½ in. (179 cm.) high; 36 ¼ in. (92 cm.) wide; 26 ¼ in. (67 cm.) deep
来源
Anonymous sale, Sotheby's, New York, 13 October 1994, lot 461.
出版
Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700 - 1840, Leeds, 1996, p. 294, fig. 550.
注意事项
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

拍品专文

Henry Kettle entered into partnership around 1770 with William Henshaw, an established cabinet-maker of 18 St Paul's Church Yard, and in 1774 took over the neighbouring business firm of Philip Bell at 23 St Paul's Church Yard.
Items that bear Kettle's label include sober mahogany pieces that seem to reflect an earlier style typical of Bell's oeuvre, while Kettle's own style favoured a lighter look, often using contrasting veneers of exotic woods and boxwood stringing reflecting the fashion promoted by Messr's Hepplewhite and Sheraton. Indeed Kettle subscribed to Sheraton's Drawing Book in 1773.

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