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拍品專文
In his family history, A Tale of Two Houses, Jasper More, M.P., evocatively describes what is almost certainly the present set of seat furniture at Linley Hall, 'much of the furniture was obviously in sets but scattered all over the house in different rooms. A pair of stools in yellow silk with finely carved legs, in the drawing-room, to my untutored eyes either Chippendale or pre-Chippendale… I remembered in another room some similar legs on upright chairs, these in red silk of which we located four. Then in the dining room a large armchair in red leather whose legs also matched. It seemed that to complete the set there must be a second armchair. It was located eventually in the servants’ hall…’ (privately published, Shrewsbury, 1978, p. 96).
Although this set with its unusual oak-leaf and acorn carving to the knees is most likely to have been made by a local, rather than London, craftsman, the model relates to the prevalent London fashion and indeed Chippendale is still publishing designs for such 'French Chairs' in the 3rd edition edition of his Director (London, 1762, pl. XIX), thus the model remained associated with that greatest of cabinet-makers and hence Jasper More's attribution. Oak leaf-carved knees appear on a suite of furniture from the Irwin Untermyer collection (Y. Hackenbroch, English Furniture with some furniture of other countries in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1953, pl. 97-98, fig. 124) while carved vine leaf and grape motifs are featured on a set of walnut chairs from Cassiobury Park, Hertfordshire, (O. Brackett, An Encyclopaedia of English Furniture, London, 1927, pl. 158, in this comparable example undoubtedly a reference to Bacchus), a single chair was sold Christie's, London, 5 June 1997, lot 151. Other examples of related sumptuous seat furniture are known to have been made provincially, such as the chairs attributed to Wright & Elwick, Wakefield, also of circa 1750, from Wentworth Woodhouse, Yorkshire, sold, Christie's London (Spencer House), 15 July 1948, lot 53 (a set of fourteen).
Although this set with its unusual oak-leaf and acorn carving to the knees is most likely to have been made by a local, rather than London, craftsman, the model relates to the prevalent London fashion and indeed Chippendale is still publishing designs for such 'French Chairs' in the 3rd edition edition of his Director (London, 1762, pl. XIX), thus the model remained associated with that greatest of cabinet-makers and hence Jasper More's attribution. Oak leaf-carved knees appear on a suite of furniture from the Irwin Untermyer collection (Y. Hackenbroch, English Furniture with some furniture of other countries in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1953, pl. 97-98, fig. 124) while carved vine leaf and grape motifs are featured on a set of walnut chairs from Cassiobury Park, Hertfordshire, (O. Brackett, An Encyclopaedia of English Furniture, London, 1927, pl. 158, in this comparable example undoubtedly a reference to Bacchus), a single chair was sold Christie's, London, 5 June 1997, lot 151. Other examples of related sumptuous seat furniture are known to have been made provincially, such as the chairs attributed to Wright & Elwick, Wakefield, also of circa 1750, from Wentworth Woodhouse, Yorkshire, sold, Christie's London (Spencer House), 15 July 1948, lot 53 (a set of fourteen).