A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS
A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS
A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS
A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS
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A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS

MARK OF PAUL STORR, LONDON, 1817, RETAILED BY RUNDELL, BRIDGE AND RUNDELL

细节
A PAIR OF GEORGE III SILVER-GILT WINE-COASTERS
MARK OF PAUL STORR, LONDON, 1817, RETAILED BY RUNDELL, BRIDGE AND RUNDELL
Each circular and with openwork fruiting grapevine sides below ribbon-tied reeded rim and with anthemion cast lower border, later engraved inside with a coat-of-arms, with wood base, each marked on base, the bases further stamped ‘RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE REGENTIS BRITANNIAS FECERUNT LONDINI'
5 ¾ in. (14.5 cm.) diam.
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These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
拍场告示
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拍品专文

RUNDELL, BRIDGE AND RUNDELL

While today names like Paul Storr and John Bridge are celebrated for their excellence of design and skill in craftsmanship, in first years of the 19th century it would have been the retailers Rundell Bridge and Rundell whose name represented the pinnacle of The Business of Luxury,as they are described in Royal Goldsmiths: The Art of Rundell & Bridge 1797-1843, London, 2005.

The firm, located at 32 Ludgate Hill, was born when Philip Rundell (1746-1827) bought the business of William Pickett, in 1786. He was joined in running the business by John Bridge. The pair made a perfect team with Rundell running the shop while Bridge dealt with the clients. In 1805, Rundell took his nephew, Edmund Waller Rundell into partnership, whereupon the business was restyled Rundell, Bridge and Rundell.

By this time they were one of the main manufacturers of quality silver plate, jewels and gold boxes. The firm grew rapidly, so much so that by the 1820's, it was a vast enterprise with agencies in Paris, Vienna, St. Petersburg, Baghdad, Constantinople, Bombay, Calcutta, and various cities in South America.

It was in 1807 that Paul Storr, the gifted master silversmith, was persuaded to join the firm, followed the next year by the sculptor, William Theed (1764-1817) who had previously worked as a modeller for Wedgwood. When Theed died, Rundell took on another leading sculptor, John Flaxman (1755-1826). Unlike Theed, Flaxman was never a partner but was employed as the firm's designer and made models and drawings for many of the firms important commissions

Having been appointed, in 1797, as one of the goldsmiths to King George III the firm were regular suppliers to the Royal Family. For example the Prince of Wales ordered a service of silver-gilt plate of sufficient size and importance for use on State occasions. The Prince of Wales State plate was shown in an exhibit held for three days of every week during the spring of 1807. Invitation was by ticket only.

"All the Rich, the great and Noble of the Land flocked to see the display of the Grand Service. Their carriages blocked Ludgate Hill until seven o'clock each evening."

It was not until after Paul Storr had left the firm in 1819 that Philip Rundell entered his own mark, though he retired soon after, in 1823. He died four years later leaving a phenomenal personal fortune of around £1,500,000 to his nephew, Joseph Neeld, (who in turn bequeathed his wealth to Queen Victoria). Rundell's workshop continued operating up until the death of John Bridge in 1834. Thereafter the firm continued to commission silver from other manufacturers until it finally closed in 1843.

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