AN ITALIAN PATINATED-BRONZE-MOUNTED RED AND BLACK MARBLE TAZZA
This lot will be removed to Christie’s Park Royal.… Read more
AN ITALIAN PATINATED-BRONZE-MOUNTED RED AND BLACK MARBLE TAZZA

IN THE MANNER OF BENEDETTO BOSCHETTI, SECOND QUARTER 19TH CENTURY

Details
AN ITALIAN PATINATED-BRONZE-MOUNTED RED AND BLACK MARBLE TAZZA
IN THE MANNER OF BENEDETTO BOSCHETTI, SECOND QUARTER 19TH CENTURY
The oval gadrooned basin with serpent handles above a tapering socle and square plinth
15 in. (38 cm.) high; 20 in. (51 cm.) wide; 10 ½ in. (26.5 cm.) deep
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Giles Forster
Giles Forster

Lot Essay

In the early 19th Century Benedetto Boschetti fed the growing demand for high quality works of art with an antique theme created by an influx of grand tourists, many of whom were English. He is known to have had workshops in the centre of Rome where he produced a large number of classically inspired objects ranging from bronzes to tabletops and mosaics. Active circa 1820-1870, the Boschetti workshop exhibited at the Crystal Palace Exhibition in 1851 and was renowned for the exceptional quality of its copies after the 'Antique', mainly in marble and bronze: for example a compare to the present lot, a marmo rosso antico reduction of the Warwick Vase, currently in the Toledo Museum, Ohio (see A. Gonzalez-Palacios, Il Tempio del Gusto, Roma e il Regno delle Due Sicilie, 1984, vol. II, fig. 286). F.S. Bonfigli noted in 1856 that 'The establishment is particularly conspicuous for its great variety of marble works, bronzes etc' (A. Gonzlez-Palacios, The Art of Mosaics, 1982, p.166).

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