A FRENCH ORMOLU AND 'JASPERWARE' PORCELAIN PLAQUE-MOUNTED MAHOGANY COMMODE
A FRENCH ORMOLU AND 'JASPERWARE' PORCELAIN PLAQUE-MOUNTED MAHOGANY COMMODE
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This lot will be removed to Christie’s Park Royal.… Read more Le Mobilier Français du XIXe Siècle: A Private Collection (Lots 577-586)
A FRENCH ORMOLU AND 'JASPERWARE' PORCELAIN PLAQUE-MOUNTED MAHOGANY COMMODE

AFTER THE MODEL BY JOSEPH STÖCKEL AND GUILLAUME BENNEMAN, LATE 19TH CENTURY

Details
A FRENCH ORMOLU AND 'JASPERWARE' PORCELAIN PLAQUE-MOUNTED MAHOGANY COMMODE
AFTER THE MODEL BY JOSEPH STÖCKEL AND GUILLAUME BENNEMAN, LATE 19TH CENTURY
The white marble top above three frieze drawers and two cabinet doors opening to six drawers, set with a porcelain plaque with classical figures, the sides also with porcelain roundels inscribed 'LE NID D'AMOURS', the reverse of the mounts stamped 'CVR'
38 ¼ in. (97.5 cm.) high; 71 ¼ in. (181.5 cm.) wide; 28 ¾ in. (73 cm.) deep
Provenance
Anonymous sale; Sotheby's, Amsterdam, 27 March 2002, lot 220 (€21,600).
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Giles Forster
Giles Forster

Lot Essay

Based on the celebrated pair of sumptuous commodes à vantaux created for Marie Antoinette’s salon des jeux at the Château de Fontainebleau, the present commode perfectly encapsulates the late 19th century fascination with and desire to emulate the world of the Ancien Régime. Guillaume Benneman was one of Marie Antoinette’s preferred makers. The pair of commodes he created for the Queen, the inspiration for the present lot, was part of a series of eight which were ultimately transformed through a complex and costly process from a group of four begun by Joseph Stöckel. The pair at Fontainebleau were originally destined for Marie Antoinette’s bedroom at the Château de Compiègne, and later placed in her salon des jeux at the Château de Fontainebleau, a splendid room of superlative neo-classical design with wall panels painted with delicate arabesques.

In the 19th century, the international elite would, no doubt, have understood the importance of this model as they hastened to furnish their grand residences in a style reminiscent of the splendid rooms of Fontainebleau. A number of leading Parisian cabinetmakers of the 19th century produced faithful replicas of the model, underscoring its influence on the history of the French decorative arts. Another similar commode was sold from a private European collection, Christie’s, London, 22 September 2011, lot 32 (£73,250). A further example, by François Linke, sold Château - A Distinguished American Collection of Important 19th Century Furniture & Works of Art; Christie’s, London, 28 October 2014, lot 7 (£74,500).

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