Little Great American Nude #29

“The figures dealt primarily with their presence. Almost all faces were left off because the nudes were not intended to be portraits in any sense. Personality would interfere with the bluntness of the fact of the nude. When body features were included, they were those important to erotic implication, like lips and nipples. There was no modeling, no hint at dimension. Simply drawn lines were virtually a collage element—the addition of drawing to the painting."
Slim Stealingworth, Tom Wesselmann, New York 1980, p. 24.