Jean Dubuffet (1901-1985)
Jean Dubuffet (1901-1985)

Table a la Carafe

細節
Jean Dubuffet (1901-1985)
Table a la Carafe
signed with the artist's initials and dated 'J.D. 68' (on the base)
epoxy paint on polyurethane
44 x 58 ½ x 45 ½ in. (111.7 x 148.5 x 115.5 cm.)
Executed in 1968.
來源
Galerie Jeanne Bucher, Paris
Galerie Beyeler, Basel
Pace Gallery, New York
Private collection, New York
Private collection, Los Angeles, 1989
Anon. sale; Christie's, New York, 16 May 2001, lot 55
Acquired at the above sale by the present owner
出版
M. Loreau, Catalogue des travaux de Jean Dubuffet, Fascicule XXIV: Toux aux figures amoncellements, cabinet logolique, Lausanne, 1973, pp. 66-67, no. 56 (illustrated).
R. Barilli, Dubuffet: Le Cycle D’Hourloupe,  Paris, 1976, p. 70, no. 101 (illustrated).
M. Glimcher, Jean Dubuffet: Towards an Alternative Reality, New York, 1987, p. 216 (illustrated).

展覽
New York, Pace Gallery, Jean Dubuffet: Simulacres, November-December 1969, pp. 13-17, no. 15 (illustrated).
Detroit, J. L. Hudson Gallery, Dubuffet, November 1970, p. 8 (illustrated).
Minneapolis, Walker Art Center, Jean Dubuffet: monuments, simulacres, praticables, April-July 1973, p. 260, no. 276 (illustrated).
New York, Solomon R. Guggenheim Museum, Jean Dubuffet: A Retrospective, 1973, p. 270, pl. 276 (illustrated).
New York, Solomon R. Guggenheim Museum, Jean Dubuffet: A Retrospective Glance at Eighty, from the collections of Morton and Linda Janklow and the Solomon R. Guggenheim Museum, New York, July-September 1981, p. 24, no. 104 (illustrated).

榮譽呈獻

Joanna Szymkowiak
Joanna Szymkowiak

拍品專文

‘The spiritual exercise of integration and intimate unification of the physical with the mental world is aided by several factors, among which must be mentioned the astonishing lightness of the material used, by which the mind is moved to abolish the notion of weight from the objects of the physical world’ ( J. Dubuffet, ‘Note on the Painted Polystyrene Hourloupe Pieces’, in Jean Dubuffet: Writings on Sculpture, Dusseldorf 2011, p. 54).

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