Arshile Gorky (1904-1948)
Property from an Important Private Collection
Arshile Gorky (1904-1948)

Untitled

Details
Arshile Gorky (1904-1948)
Untitled
signed 'Gorky' (lower right)
ink and watercolor on paper
30 ½ x 22 in. (77.4 x 55.8 cm.)
Executed in 1931.
Provenance
Collection of Mr. and Mrs. Julien Levy, Bridgewater
Private collection, Toronto
Anon. sale; Sotheby's, New York, 2 November 1994, lot 91
Acquired at the above sale by the present owner
Literature
J. Levy, Arshile Gorky, New York, 1966, pl. 54 (illustrated).
Exhibited
Chicago, Richard Feigen Gallery, Arshile Gorky: Drawings from the Julien Levy Collection, March-April 1969.
Toronto, Dunkelman Gallery, Arshile Gorky, 1904 – 1948, October 1972.
Further details
This work is recorded in the Arshile Gorky Foundation Archives under number D0116.

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Joanna Szymkowiak
Joanna Szymkowiak

Lot Essay

"Gorky's drawings clearly demonstrate his talent as a draftsman. But even more importantly, they allow us to witness the consistent evolution of his working method, giving us a better way to understand this complex artist and his work. Of course, drawing should be seen in relation to numerous other factors that may have shaped the course of his creativity. The events of his life, his identity as an Armenian immigrant struggling to become a reputable artist in America, his relationship to other artists and movements, and various social and political factors must also be taken into account. Yet Gorky, as an artist obsessed with form and its power of expression, always maintained that drawing was the very basis of his art, and he utilized this medium to shape and imagine the world around him" (M. Lader "What the Drawings Reveal, Some Observations on Arshile Gorky's Working Method" in Arshile Gorky: A Retrospective of Drawings, exh. cat., Whitney Museum of American Art, New York, 2003, p. 50).

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