Lot Essay
This particularly charming figure is rare in both bearing an inscription and being applied with the precious cobalt-blue glaze. The inscription indicates that the figure was intended for a female member of the Guang Family, and the application of the expensive blue glaze suggests that the Guang Family was one of wealth and privilege. The current figure combines an elaborately decorated dress with hair simply bunched on either side of the head in a style more usually associated with younger girls. This gives a rather endearing impression of a young girl in her best clothes. Margaret Medley noted in her introduction to the Exhibition of Tang Sancai Pottery Selected from the Collection of Alan and Simone Hartman that a similarly dressed standing figure with hair in side bunches was that of a ‘young adolescent girl’.
A nearly identical figure, seated with the same hair style and blue and amber-glazed dress, was exhibited at Sui to Tang Dynasty Art, Osaka City Museum, 1976, Catalogue no. 200. Another very similar female seated figure, with slightly different hair style but wearing an identical dress, is in the Nezu Museum of Art and illustrated in Selected Masterpieces from the Nezu Museum Collection, Japan, 2009, pl. 67 (fig. 1). Compare also to a larger sancai figure of a lady (40.6 cm.), glazed mainly in yellow and green, which is depicted seated on a rattan stool holding a flower in one hand, formerly in the A. Alfred Taubman Collection and sold at Sotheby’s New York, 16 March 2016, lot 272.
The result of Oxford Authentication Ltd. thermoluminescence test no. C103a47 (24 January 2003) is consistent with the dating of this lot.
A nearly identical figure, seated with the same hair style and blue and amber-glazed dress, was exhibited at Sui to Tang Dynasty Art, Osaka City Museum, 1976, Catalogue no. 200. Another very similar female seated figure, with slightly different hair style but wearing an identical dress, is in the Nezu Museum of Art and illustrated in Selected Masterpieces from the Nezu Museum Collection, Japan, 2009, pl. 67 (fig. 1). Compare also to a larger sancai figure of a lady (40.6 cm.), glazed mainly in yellow and green, which is depicted seated on a rattan stool holding a flower in one hand, formerly in the A. Alfred Taubman Collection and sold at Sotheby’s New York, 16 March 2016, lot 272.
The result of Oxford Authentication Ltd. thermoluminescence test no. C103a47 (24 January 2003) is consistent with the dating of this lot.