MARCANTONIO RAIMONDI (CIRCA 1470/82 - CIRCA 1527/34) AFTER MICHELANGELO BUONAROTTI (1475-1564) AND LUCAS VAN LEYDEN (CIRCA 1494-1533)

PROPERTY FROM THE ESTATE OF TURE LUNDH

MARCANTONIO RAIMONDI (1480-1534) AFTER MICHELANGELO BUONAROTTI (1475-1564) AND LUCAS VAN LEYDEN (1494-1533)

The Climbers

Details

MARCANTONIO RAIMONDI (1480-1534) AFTER MICHELANGELO BUONAROTTI (1475-1564) AND LUCAS VAN LEYDEN (1494-1533)
The Climbers
engraving, 1510, on laid paper, with a small indistinct Cardinal's Hat watermark (not in Briquet), a good impression of this rare print, with thread margins, with repairs and small paper losses, parts of the upper subject made-up; with twenty other prints

Sheet 284 x 224 mm.
(21)

Provenance

Sir Thomas Lawrence (1769-1830), London, his collector's mark recto (Lugt 2446). (see B. 496)
Friedrich August II, King of Saxony (1797-1854), Dresden (Lugt 971). (B. 397)
Baron Charles Marochetti (1805-1867), Paris and London (Lugt 392). (see B. 496)
Karl Ewald Hasse (1810-1902), Leipzig (Lugt 860). (B. 487, 381)
Reverend J. Burleigh James (mid 19th Century), Shropshire (Lugt 1425). (B. 9, see 496)

Literature

Bartsch 487, 9, 18, 381, 417, 397, 352

Lot Essay

The twenty others including: Marcantonio Raimondi after Raphael, Joseph and Potiphar's Wife, engraving, circa 1515-1525, a good impression; Philosophy (B. 381), circa 1510-15, a good impression; Two Women with the Zodiac (B. 397), circa 1517-20, a good but slightly later impression; 'Quos ego', 1515-16, a good impression from the reworked plate, published by Antonio Salamanca; Marcantonio Raimondi (formerly attributed to Marco da Ravenna) after Raphael, The Massacre of the Innocents (B. 20), circa 1512-13, watermark Gothic D, a later impression; a copy in reverse of Portrait of Raphael (see B. 496), 1517-20; with fourteen later impressions and copies of various subjects.

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