ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ROME 1720-1778), CIRCA 1770
ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ROME 1720-1778), CIRCA 1770
ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ROME 1720-1778), CIRCA 1770
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ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ROME 1720-1778), CIRCA 1770

CINERARY URN

Details
ATTRIBUTED TO GIOVANNI BATTISTA PIRANESI (ROME 1720-1778), CIRCA 1770
CINERARY URN
Marble
The body decorated in relief with large fruit laden garlands, an eagle with outstretched wings perched on the centre of each, suspended from burcrania, taenia hanging down each side, the twin handles in the form of bearded heads of Zeus-Ammon, with ridged curling horns, the lid with pine-cone knop, on an integral rectangular base
27 in. (68.7 cm.) high
Provenance
Collection of Henry Pelham-Clinton, 7th Duke of Newcastle, Clumber Park, Nottinghamshire.
Christie's, London, 8 June 1937, lot 153.
With Christopher Gibbs, London, prior to 1980.
Christie's, South Kensington, 14 April 2011, lot 258.

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Donald Johnston
Donald Johnston

Lot Essay

Previously considered to have been carved in antiquity, the present cinerary urn was more likely to have been made in Giovanni Battista Piranesi’s workshop in the 1770s, which produced ‘ancient’ sculpture and vases that were sold to foreign visitors to Rome. Based on a Roman funerary urn the present vase incorporates a combination of classical motifs and an elegant classical shape that would have attracted European Grand Tourists who hoped to acquire souvenirs from ancient Rome at a time when it was becoming difficult to source them. The present vase is not engraved in Piranesi’s Vasi, Candelabri… (see J. Wilton-Ely, Piranesi: The Complete Etchings, vol. II, San Francisco, 1994, pls. 914-954) although in its form and details it closely matches several vases that Piranesi is known to have designed, and is close in technique to Piranesi creations such as the Colossal Candelabra in the Ashmolean Museum, Oxford.

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