Adolph Friedrich Erdmann von Menzel (Breslau 1815-1905 Berlin)
Adolph Friedrich Erdmann von Menzel (Breslau 1815-1905 Berlin)

Portrait of the daughter of Dr. Karl A. von Maercker

Details
Adolph Friedrich Erdmann von Menzel (Breslau 1815-1905 Berlin)
Portrait of the daughter of Dr. Karl A. von Maercker
signed and dated 'Menzel/ Sept. 1848'
graphite, watercolor and bodycolor
8¾ x 7¼ in. (22.5 x 18 cm)
Provenance
Dr. Karl Anton von Maercker (1803-1871) and Anna Catharina Maercker, Berlin.
Anonymous sale; Villa Grisebach, Berlin, 27 November 2009, lot 3.
Literature
H. von Tschudi, Adolph von Menzel. Abbildungen seiner Gemälde und Studien, Munich 1905, no. 206.
G.J. Wolf, Adolf von Menzel. Der Maler deutchen Wesens. 149 Gemälde und Handzeichnungen des Meisters, Munich 1915, p. 92, ill.
[Author unknown], Der Blumenkorb. Deutsche Maler 1800 bis 1870, Taunus and Leipzig 1921, p. 46.
G. Lammel, Adolph Menzel und seine Kreise, Dresden 1993, p. 46.
M. Moeller, Adolph Menzel, Meister der Zeichnung, Hamburg 2013, under no. 3, ill.
Exhibited
Berlin, Köngliche National-Galerie, Ausstellung von Werken Adolph von Menzels, 1905, no. 283.
Munich, Kunsthalle der Hypo-Kulturstiftung, Adolph Menzel, radikal real, 2008, no. 24 (catalogue by C. Lange).

Lot Essay

From the spring of 1845 until March 1847, Menzel lived at 18 Schöneberger Strasse in Berlin and became close friends with his neighbors, the Maercker family. This friendship is attested by a group of watercolors and oils of members of the Maercker family. An oil study in the Nationalgalerie, Berlin shows the family seated around a table conversing (inv. A I 861; C. Keisch and M.U. Riemann-Reyher, Adolph Menzel 1815-1905. Between Romanticism and Impressionism, Washington, D.C., 1996-1997, no. 28, ill.), while a portrait of Mrs. Maercker is in Winterthur, Museum Stiftung Oskar Reinhart (ibid., no. 29, ill). The watercolors of the Maercker children are particularly charming, and of a highly intimate quality. In this drawing the Maercker daughter is shown while holding a book and looking up in a dreamy gaze, while a watercolor, also from 1848, previously with Dr. Moeller & Cie, shows her brother asleep (M. Moeller, op. cit., no. 3, ill.).

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