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La femme au châle
Details
                                        
                                            Édouard Vuillard (1868-1940)
La femme au châle
stamped with the artist's signature 'E. Vuillard' (Lugt: L.2497a; lower right)
oil on card laid down on cradled panel
9 x 5 3/4 in. (23 x 14.7 cm.)
Painted circa 1885
                                        
                                    La femme au châle
stamped with the artist's signature 'E. Vuillard' (Lugt: L.2497a; lower right)
oil on card laid down on cradled panel
9 x 5 3/4 in. (23 x 14.7 cm.)
Painted circa 1885
Provenance
                                        
                                            The artist's estate. 
Gimpel Fils, London.
Acquired from the above, circa 1958; sale, Christie's, London, 28 June 1982, lot 12.
Galerie Jan Krugier, Geneva.
Private collection, Paris, by whom acquired from the above, and thence by descent to the present owner.
                                    Gimpel Fils, London.
Acquired from the above, circa 1958; sale, Christie's, London, 28 June 1982, lot 12.
Galerie Jan Krugier, Geneva.
Private collection, Paris, by whom acquired from the above, and thence by descent to the present owner.
Literature
                                        
                                            A. Salomon & G. Cogeval, Vuillard, The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, vol. I, Milan, 2003, no. IV-183, p. 328 (illustrated).
                                        
                                    Exhibited
                                        
                                            Paris, Galerie Bellier, Edouard Vuillard, "Le silence me garde", November - December 2002, no. 11, p. 107 (illustrated p. 49); this exhibition later travelled to, New York, Berry-Hill Galleries.
                                        
                                    Sale room notice
                                        
                                            Please note the correct date for this work is circa 1885 and not as stated in the printed catalogue.
                                        
                                    Brought to you by
            
                Michelle McMullan