AN UNUSUAL FAMILLE ROSE 'HUNDRED DEER' HU-FORM VASE
AN UNUSUAL FAMILLE ROSE 'HUNDRED DEER' HU-FORM VASE
1 More
PROPERTY OF THE JOHNSTON FAMILY, CHICAGO, ILLINOIS
AN UNUSUAL FAMILLE ROSE 'HUNDRED DEER' HU-FORM VASE

GUANGXU SIX-CHARACTER MARK IN IRON-RED AND OF THE PERIOD (1875-1908)

Details
AN UNUSUAL FAMILLE ROSE 'HUNDRED DEER' HU-FORM VASE
GUANGXU SIX-CHARACTER MARK IN IRON-RED AND OF THE PERIOD (1875-1908)
The vase of pear shape is finely decorated with a continuous scene of the 'hundred deer' motif depicting a gathering of bucks and does amidst various trees including pine and peach, in a landscape of blue-green rocks and mountains, and a river fed by a waterfall on one side. The neck is flanked by a pair of handles in the form of deer heads with black antlers.
12 5/8 in. (32.4 cm.) high
Provenance
Major Felix J. Streyckmans Collection, acquired during the Chicago World's Fair in 1931-1932, and thence by descent within the family.

Lot Essay

The 'hundred deer' motif was very popular, as the landscape depicted contains important symbolic references. The subject of deer has a long history in Chinese art, as it refers to the rebus where the Chinese word for 'deer' is a homophone for 'emolument' or 'civil service salary'. The 'hundred deer' motif therefore represents the ultimate success, a career in government service in Imperial China.

A Qianlong-marked vase of larger size (45 cm.) in the Beijing Palace Museum, is illustrated in The Complete Collection of Treasures of the Palace Museum - 39 - Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, pl. 85. Other examples include a pair in the Shanghai Museum, illustrated in Selected Ceramics from the Collection of Mr. and Mrs. J. M. Hu, Shanghai, 1989, pl. 67; one in the Nanjing Museum, included in the joint exhibition with The Chinese University of Hong Kong, Qing Imperial Porcelain, 1995, no. 86; and another from the Grandidier Collection in the Musée Guimet, Paris, illustrated in Oriental Ceramics, The World's Great Collections, Tokyo, 1981, vol. 7, pl. 190.

More from Fine Chinese Ceramics and Works of Art

View All
View All