Graham Sutherland, O.M. (1903-1980)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Graham Sutherland, O.M. (1903-1980)

Sketch for miner handing down tools from the level above

Details
Graham Sutherland, O.M. (1903-1980)
Sketch for miner handing down tools from the level above
inscribed '.Sketch for miner handing down tools from the level above.' (upper centre)
ink, watercolour and pastel
10 3/8 x 7 ¾ in. (26.3 x 19.7 cm.)
Executed in 1942.
Provenance
Acquired directly from the artist by Pier Paolo and Marzia Ruggerini, Milan, in 1965, and by descent.
Literature
R. Tassi, Sutherland: The Wartime Drawings, Milan, 1979, p. 97, no. 84, illustrated.
Exhibited
London, Imperial War Museum, Graham Sutherland: The War Drawings, May - July 1982, no. 84, p. 84.
Penzance, Penlee House Gallery and Museum, Graham Sutherland: From Darkness into Light: Mining, Metal and Machines, September - November 2013, p. 24, exhibition not numbered: this exhibition travelled to Swansea, the National Waterfront Museum, December 2013 - March 2014.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Alice Murray
Alice Murray

Lot Essay

In 1942 Graham Sutherland, whilst working as an official war artist, was commissioned to paint the tin mines at Geevor in Cornwall. Sutherland was inspired by these dramatic mines and described them as having only 'the vaguest relation to the war but I was certainly presented with a new world – and a world of such beauty and such mystery that I shall never forget it……'. This extraordinary series of drawings skilfully re-created the claustrophobic world of these mines and were almost certainly influenced by Henry Moore’s recent series of Shelter drawings.

The present drawing was part of a group of Sutherland's works bought directly from the artist by Pier Paolo and Marzia Ruggerini in 1965. Pier Paolo was a celebrated Italian film maker, and in 1967 his documentary on the artist led Sutherland to return to Wales to paint there for the first time in twenty years. The Ruggerinis became great friends and collectors of Sutherland and their house, Il Castello in Pavia near Milan, held a famous collection of the artist’s work.

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