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Parade – Hoboken, New Jersey, 1955
細節
ROBERT FRANK (B. 1924)
Parade – Hoboken, New Jersey, 1955
gelatin silver print, printed by 1972
signed, titled and dated in ink (margin); variously annotated and numbered 'p. 168' in blue pencil (verso)
image: 8 7/8 x 13 3/8 in. (22.5 x 34 cm.)
sheet: 11 x 14 in. (28 x 35.7 cm.)
Parade – Hoboken, New Jersey, 1955
gelatin silver print, printed by 1972
signed, titled and dated in ink (margin); variously annotated and numbered 'p. 168' in blue pencil (verso)
image: 8 7/8 x 13 3/8 in. (22.5 x 34 cm.)
sheet: 11 x 14 in. (28 x 35.7 cm.)
來源
Sotheby's, New York, November 2, 1989, lot 629;
acquired from the above sale by the present owner.
acquired from the above sale by the present owner.
出版
Robert Frank, Les Américains, Delpire, Paris, 1958, pl. 1, p. 7.
Robert Frank, The Americans, Grove Press, New York, 1959, pl. 1, n.p., and in all subsequent editions.
Minor White (ed.), Robert Frank, Aperture, vol. 9, no. 1, 1961, p. 6.
Willy Rotzler, 'Robert Frank,' Du, vol. 22, no. 1, Zurich, January 1962, p. 16.
John Szarkowski, The Photographer's Eye, The Museum of Modern Art, New York, 1966, p. 155.
Robert Frank, The Lines of My Hand, Yugensha, Tokyo, 1972, p. 57, and in each of the subsequent variant editions.
Martin Mann, Documentary Photography: Time Life Library of Photography, New York, 1972, p. 168.
Robert Frank, Robert Frank: The Aperture History of Photography Series, Aperture Foundation, New York, 1976, cover.
John Szarkowski, Photography Until Now, The Museum of Modern Art, New York, 1989, p. 258.
Sarah Greenough et al., Robert Frank: Moving Out, National Gallery of Art, Washington, D.C., 1994, p. 175.
Peter Galassi, American Photography, 1890-1965, The Museum of Modern Art, New York, 1995, p. 215.
Peter Galassi, Walker Evans & Company, The Museum of Modern Art, New York, 2000, pl. 316.
Ian Penman, Robert Frank: Storylines, Tate Modern, London, 2004, frontispiece 3.
Sarah Greenough, Looking In: Robert Frank's The Americans, National Gallery of Art, Washington, D.C., 2009, cover, pp. 211 and 460 and contact no. 1.
Peter Galassi, Robert Frank, In America, Steidl, Göttingen, 2014, p. 107.
Robert Frank, The Americans, Grove Press, New York, 1959, pl. 1, n.p., and in all subsequent editions.
Minor White (ed.), Robert Frank, Aperture, vol. 9, no. 1, 1961, p. 6.
Willy Rotzler, 'Robert Frank,' Du, vol. 22, no. 1, Zurich, January 1962, p. 16.
John Szarkowski, The Photographer's Eye, The Museum of Modern Art, New York, 1966, p. 155.
Robert Frank, The Lines of My Hand, Yugensha, Tokyo, 1972, p. 57, and in each of the subsequent variant editions.
Martin Mann, Documentary Photography: Time Life Library of Photography, New York, 1972, p. 168.
Robert Frank, Robert Frank: The Aperture History of Photography Series, Aperture Foundation, New York, 1976, cover.
John Szarkowski, Photography Until Now, The Museum of Modern Art, New York, 1989, p. 258.
Sarah Greenough et al., Robert Frank: Moving Out, National Gallery of Art, Washington, D.C., 1994, p. 175.
Peter Galassi, American Photography, 1890-1965, The Museum of Modern Art, New York, 1995, p. 215.
Peter Galassi, Walker Evans & Company, The Museum of Modern Art, New York, 2000, pl. 316.
Ian Penman, Robert Frank: Storylines, Tate Modern, London, 2004, frontispiece 3.
Sarah Greenough, Looking In: Robert Frank's The Americans, National Gallery of Art, Washington, D.C., 2009, cover, pp. 211 and 460 and contact no. 1.
Peter Galassi, Robert Frank, In America, Steidl, Göttingen, 2014, p. 107.