拍品專文
For a further example in this pattern, see: J. Twitchett, Derby Porcelain, London, 1980, p. 216, no. 268.
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CIRCA 1795, BLUE CROWNED CROSSED BATONS AND SCRIPT D MARKS, PATTERN NUMBER 216, THE FLOWERS POSSIBLY PAINTED BY JOHN BREWER
細節
A DERBY PORCELAIN YELLOW-GROUND BOTANICAL PART DESSERT SERVICE
CIRCA 1795, BLUE CROWNED CROSSED BATONS AND SCRIPT D MARKS, PATTERN NUMBER 216, THE FLOWERS POSSIBLY PAINTED BY JOHN BREWER
Finely painted with various flower specimens, the species identified in English on the underside, within gilt berried vine and gilt-edged yellow borders, comprising: two fruit coolers, covers and liners, with coiled snake finials; four navette-shaped sauce tureens, covers and stands; a fluted, footed compote; four quatrefoil dishes; four shell-shaped dishes; two heart-shaped dishes; two scalloped oval dishes; twenty-two plates; and a bough-pot and cover
16 ½ in. high overall, the bough-pot and cover
CIRCA 1795, BLUE CROWNED CROSSED BATONS AND SCRIPT D MARKS, PATTERN NUMBER 216, THE FLOWERS POSSIBLY PAINTED BY JOHN BREWER
Finely painted with various flower specimens, the species identified in English on the underside, within gilt berried vine and gilt-edged yellow borders, comprising: two fruit coolers, covers and liners, with coiled snake finials; four navette-shaped sauce tureens, covers and stands; a fluted, footed compote; four quatrefoil dishes; four shell-shaped dishes; two heart-shaped dishes; two scalloped oval dishes; twenty-two plates; and a bough-pot and cover
16 ½ in. high overall, the bough-pot and cover
來源
Acquired from Delomosne & Son, London, 1959, as a Christmas gift from David to Peggy Rockefeller (the main service).
Acquired from James Robinson, New York, January 1966 (the covered vases).
Acquired from Delomosne & Son, London, February 1966 (the fruit coolers).
Acquired from James Robinson, New York, January 1966 (the covered vases).
Acquired from Delomosne & Son, London, February 1966 (the fruit coolers).
出版
D. Fennimore et al., The David and Peggy Rockefeller Collection: Decorative Arts, New York, 1992, vol. IV, pp. 196-198, no. 208.
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