A LACQUER THREE-CASE INRO
明治時代 十九世紀 群鷺蒔繪印籠 款: 一朝 印: 川之邊 (川之邊一朝)

MEIJI PERIOD (19TH CENTURY), SIGNED ITCHO AND SEALED KAWANOBE (KAWANOBE ITCHO; 1831-1910)

細節
明治時代 十九世紀 群鷺蒔繪印籠 款: 一朝 印: 川之邊 (川之邊一朝)
3 3/8 x 3 1/8 in. (8.5 x 7.8 cm.)
出版
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), pp. 458-459.
展覽
National Palace Museum, “The Arts and Cultures of Asia,” 2004. cat. no. 23.
“Meiji Kogei: Amazing Japanese Art,” cat. no. 108. shown at the following venues:
Tokyo Geijutsu Daigaku Bijutsukan (Tokyo University of the Arts Museum), 2016.9.7-10.30.
Hosomi Bijutsukan (Hosomi Museum, Kyoto), 2016.11.12-12.25.
Kawagoe Shiritsu Bijutsukan (Kawagoe City Art Museum), 2017.4.22-6.11.

榮譽呈獻

Takaaki Murakami
Takaaki Murakami

拍品專文

This is the sole known example to date of a lacquer inro by Kawanobe Itcho.
Itcho apprenticed to the eminent Koami family of lacquerers when he was twelve years old. The Koami family made lacquers for the Tokugawa family, many commissioned for special occasions. All generations of the family share the high level of skill and reverence for traditional techniques. Itcho was appointed an Imperial Household Artist (Teishitsu gigeiin) in 1896 and around this time he spent ten years making a gold-lacquer chest in traditional style with a lavish all-over pattern of chrysanthemums for the imperial household. For his chest in the Imperial Household Collection, see Nakagawa Chizaki, Meiji no kogei (Meiji art craft), Nihon no bijutsu, no. 41, (Shibundo, 1969), pl. 20. In 1897, he became a professor at the Tokyo School of Fine Arts (the present Tokyo University of the Arts), established only a decade earlier with a department of lacquer art. For examples of his work in the Tokyo National Museum, the Ishikawa Prefectural Museum and the MOA Museum, see Arakawa Hirokazu, Kindai Nihon no shikkogei (Japanese lacquer art of recent times) (Kyoto: Kyoto Shoin, 1985), pls. 42-44.

更多來自 Japanese

查看全部
查看全部