A SHIBUICHI TRIPOD INCENSE BURNER
A SHIBUICHI TRIPOD INCENSE BURNER

TAISHO PERIOD (DATED 1915 SPRING), SIGNED KAGAWA KATSUHIRO SAKU (1853-1917) AND SEALED IN GILT EIRAKU

Details
A SHIBUICHI TRIPOD INCENSE BURNER
TAISHO PERIOD (DATED 1915 SPRING), SIGNED KAGAWA KATSUHIRO SAKU (1853-1917) AND SEALED IN GILT EIRAKU
The tripod body encircled by a band finely chiseled with a motif of hares and lotus leaves, the domed lid chiseled and pierced, applied with a removable silver liner, signature on base
4 ¾ in. (12.1 cm.) diameter
With an original wood box titled Oborogin sei koro (Shibuichi incense burner), signed and dated Taisho kinoto-u shoshun (1915 Spring) teishitsugigeiin Kagawa Katsuhiro saku (made by Kagawa Katsuhiro, Imperial Household Artist) and sealed teishitsugigein Kagawa Katsuhiro, accompanied with a tokubetsu kicho kodogu certificate issued by the N.B.T.H.K., dated Showa 55 (1980)
Provenance
Fujoan Collection
Literature
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), p. 201.
Exhibited
Preparatory Office of the National Headquarters of Taiwan Traditional Arts, “Japan Arts of Meiji Period; Asia-Pacific Traditional Arts Festival Special Exhibition.” 2011.7.8-2012.1.8. cat. p. 78.

Brought to you by

Takaaki Murakami
Takaaki Murakami

Lot Essay

An Edo (later Tokyo) native, Katsuhiro apprenticed as a boy to a carver of Noh masks before studying drawing under Shibata Zeshin and metalworking under Nomura Katsumori and the eminent Kano Natsuo. A frequent participant in national and international exhibitions, he was appointed a professor at the Tokyo School of Fine Arts in 1903. Like his mentor Natsuo, Katsuhiro joined the elite membership of Teishitsu Gigein (Artists to the Imperial Household) in 1906, insuring him important commissions, exposure and recognition.
Katsuhiro is known as a master of katakiri-bori technique (sculpting with oblique cuts of the chisel in simulation of brush strokes) showing extremely delicate lines and graceful figures on this work.

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