A SHIBUICHI TRIPOD INCENSE BURNER
大正時代 1915年春 朧銀三足香爐 款: 大正乙夘初春香川勝廣作 印: 永樂

TAISHO PERIOD (DATED 1915 SPRING), SIGNED KAGAWA KATSUHIRO SAKU (1853-1917) AND SEALED IN GILT EIRAKU

細節
大正時代 1915年春 朧銀三足香爐 款: 大正乙夘初春香川勝廣作 印: 永樂
4 ¾ in. (12.1 cm.) diameter
來源
Fujoan Collection
出版
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), p. 201.
展覽
Preparatory Office of the National Headquarters of Taiwan Traditional Arts, “Japan Arts of Meiji Period; Asia-Pacific Traditional Arts Festival Special Exhibition.” 2011.7.8-2012.1.8. cat. p. 78.

榮譽呈獻

Takaaki Murakami
Takaaki Murakami

拍品專文

An Edo (later Tokyo) native, Katsuhiro apprenticed as a boy to a carver of Noh masks before studying drawing under Shibata Zeshin and metalworking under Nomura Katsumori and the eminent Kano Natsuo. A frequent participant in national and international exhibitions, he was appointed a professor at the Tokyo School of Fine Arts in 1903. Like his mentor Natsuo, Katsuhiro joined the elite membership of Teishitsu Gigein (Artists to the Imperial Household) in 1906, insuring him important commissions, exposure and recognition.
Katsuhiro is known as a master of katakiri-bori technique (sculpting with oblique cuts of the chisel in simulation of brush strokes) showing extremely delicate lines and graceful figures on this work.

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