FOUR ELABORATE EARTHENWARE COMMEMORATIVE PLAQUES
This lot is offered without reserve.
FOUR ELABORATE EARTHENWARE COMMEMORATIVE PLAQUES

MEIJI PERIOD (1904), SIGNED SEKKO SHA, WATANABE SEKKO, MARKED HODODA AND WITH SHIMAZU CREST

Details
FOUR ELABORATE EARTHENWARE COMMEMORATIVE PLAQUES
MEIJI PERIOD (1904), SIGNED SEKKO SHA, WATANABE SEKKO, MARKED HODODA AND WITH SHIMAZU CREST
Each designed as a miniature hanging scroll (kakemono) with simulated silk brocade mounts executed in polychrome enamels; three in matching mounts with respective images of The Sixteen Arhats with Gama sennin and Tekkai sennin; Fujin, Raijin, The Seven Gods of Good Fortune (Shichifukujin) and Startled Humans; and Hell Scene: Enma, King of Hell, Presiding over a Skeleton Forced to Look in the Mirror of Past Deeds at His Past Life as a Fisherman Netting Fish, each signed on the obverse Sekko sha with two red seals and signed on the reverse Watanabe Sekko; also with inscription on the reverse of Hell Scene dated Meiji 37 (1904) stating that the plaques commemorate the Russo-Japanese War (1904-5) and with mark of the Hododa workshop and names of additional Hododa artisans and the Shimazu family crest associated with earthenware of the Satsuma type
The fourth plaque with image of The Death of the Buddha (Shaka nehan), signed on the obverse Sekko kinsha sha and with two red seals, signed on the reverse Wada Hogetsu saku and with Hododa workshop mark and Shimazu crest
Three matching plaques 15 ¾ x 9 7/8 in. (39.6 x 25 cm; roller end to roller end 29.2 cm) each approx..; Death of Buddha plaque 15 5/8 x 9 ¾ in. (39.5 x 24.7 cm; roller end to roller end 28.8 cm)
Special notice
This lot is offered without reserve.

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Takaaki Murakami
Takaaki Murakami

Lot Essay

The inscription in gold enamel in a reserve on the reverse of the Hell plaque indicates that the set commemorates the Russo-Japanese War; the date within the reserve is Meiji 37, or 1904, the year the war began on February 8. The Japanese army mounted a surprise attack on Russia after Russia reneged on an agreement to withdraw its troops from the Manchurian Peninsula. Japan was victorious in 1905, cementing its control over Korea; Manchuria was restored to the Chinese.
The plaques were made by the Hododa ceramic workshop of Yokohama, a concern that was founded by a former tea merchant by the name of Hododa (also Hodota) Takichi. The Exhibition of the Empire of Japan Official Catalogue of the Louisiana Purchase Exposition in St. Louis in 1904 lists “Hodota Takichi of Sakai-cho, Yokohama” as displaying “mantle ornaments, pitchers, flower vases” and other table wares. The shop was among other merchants catering to foreign visitors arriving in the port of Yokohama.

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