A PAIR OF BLUE AND WHITE MING-STYLE PEAR-SHAPED VASES, YUHUCHUNPING
A PAIR OF BLUE AND WHITE MING-STYLE PEAR-SHAPED VASES, YUHUCHUNPING

GUANGXU SIX-CHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

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A PAIR OF BLUE AND WHITE MING-STYLE PEAR-SHAPED VASES, YUHUCHUNPING
GUANGXU SIX-CHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)
The vases are each painted around the sides in vivid blue tones in imitation of 'heaping and piling' with plantains and bamboo growing in a terraced landscape. The shoulders are painted with decorative bands of ruyi and scroll below a band of upright leaves at the waisted necks and the splayed bases are decorated with lappet borders above detached lotus-heads.
11 5/8 in. (29.5 cm.) high

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Samantha Yuen
Samantha Yuen

Lot Essay

For a 14th century underglaze copper-red example with related decoration in the Palace Museum, which may be the earliest prototype of this design, see Sekai Toji Zenshu, 1981, vol. 13, pl. 78. Another close blue and white example dated to the Yongle period from the Qing Court Collection is illustrated in Blue and White Porcelain with Underglaze Red I, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2000, p. 35, no. 33. This 'plantain and bamboo' pattern was revived during the Qianlong period and can be seen on a vase included in the Special Exhibition of K'ang-hsi, Yung-cheng and Ch'ien-lung Porcelain, National Palace Museum, Taipei, 1968, and illustrated in the Catalogue, no. 72. This type of bottle vase continued to be produced during the reigns of the Jiaqing, Daoguang, Xianfeng, Tongzhi and Guangxu Emperors.

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