A PAINTED GREY POTTERY FIGURE OF A BACTRIAN CAMEL AND A FOREIGN GROOM
PROPERTY FROM THE ZHIDAO ZHAI COLLECTION
A PAINTED GREY POTTERY FIGURE OF A BACTRIAN CAMEL AND A FOREIGN GROOM

TANG DYNASTY (618-907)

Details
A PAINTED GREY POTTERY FIGURE OF A BACTRIAN CAMEL AND A FOREIGN GROOM
TANG DYNASTY (618-907)
The camel stands foursquare on a rectangular plinth and its large saddle bags are modelled as lions' heads. The foreign groom is dressed in a tunic and boots and is holding a parcel in one arm, with his other arm raised as if to hold a lead. Traces of blue, red, ochre and black pigments are visible.
The camel, 16 1/8 in. (41 cm.) high
Provenance
Acquired directly from T.Y. King, Hong Kong, 1953.
Literature
Catalogue of Exhibition, Chinese Tomb Figures, The Institute of Oriental Studies, University of Hong Kong, 26th-28th September 1953, no. D23.
Exhibited
Chinese Tomb Figures, The Institute of Oriental Studies, University of Hong Kong, 26th-28th September 1953, no. D23.

Brought to you by

Samantha Yuen
Samantha Yuen

Lot Essay

The Bactrian camel was not indigenous to China, see Ezekiel Schloss, Ancient Chinese Ceramic Sculpture, Stamford, 1977, vol. II, p. 220, where he discusses the importation of thousands of camels from the states of the Tarim Basin, eastern Turkestan and Mongolia. The Tang state even created a special office to supervise Imperial camel herds which carried out various assignments, including military courier service for the Northern Frontier. The camel was also used by the court and merchants for local transportation and were the 'ships' of the desert, linking China to the oasis cities of Central Asia, Samarkand, Persia and Syria. Unlike the horse, which enjoyed ethereal associations in China, the camel, though appreciated for its endurance and strength, was a difficult animal, usually left to barbarians to attend to. Most figures that ride camels, or once attended them, are foreigners.

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