A YELLOW-GROUND FAMILLE ROSE TIBETAN-STYLE VASE, BENBAPING
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A YELLOW-GROUND FAMILLE ROSE TIBETAN-STYLE VASE, BENBAPING

QIANLONG SIX-CHARACTER SEAL MARK IN IRON-RED AND OF THE PERIOD (1736-95)

Details
A YELLOW-GROUND FAMILLE ROSE TIBETAN-STYLE VASE, BENBAPING

QIANLONG SIX-CHARACTER SEAL MARK IN IRON-RED AND OF THE PERIOD (1736-95)
The body is of slightly compressed spherical shape, surmounted by a fluted domed neck and drum-shaped top, brightly enamelled with the Eight Buddhist Emblems, bajixiang, alternating with stylised lotus blooms on a lemon-yellow ground. The colourful decoration to the neck imitates a Tibetan banner, below the top with florets enclosed by flower scrolls. The interior and base are enamelled in turquoise.
10 1/8 in. (25.7 cm.) high
Provenance
Christie's Hong Kong, 28 November 2006, lot 1618A
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Samantha Yuen
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Lot Essay

This rare form of altar vase, known as benbaping in Chinese, was made to contain Sacred Plants for rituals associated with Lamaist Buddhism, and is related to ewers used to contain Sacred Water for ritual washing. The ewers share with the vases the same globular body and drum-like upper section, but with the addition of a spout emanating from a dragons's mouth. An example of this type of ewer is illustrated by R. Kerr in Chinese Ceramics - Porcelain of the Qing Dynasty 1644-1911, Victoria and Albert Museum Far Eastern Series, London, 1986, p. 115, no. 101. The form of the current vase is even more closely related to the gold Bum-pa urn which contained the ivory plaques used to confirm the identity of boys who were the reincarnated Grand Lamas (see Treasures from Snow Mountains - Gems of Tibetan Cultural Relics, Shanghai Museum, 2001, p. 50, no. 4).

The colourful banding seen on the neck of the current vase and the green ground example in the Shanghai Museum has been painted to resemble the multi-coloured silk banners, often hung in cylindrical form, in Buddhist temples. Examples can be seen in the Hall of Long Life of the Potala illustrated in The Potala, Encyclopedia of China Publishing House, Beijing, 1995, p. 52, no. 11.

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