A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON AND MEISSEN PORCELAIN CLOCK
A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON AND MEISSEN PORCELAIN CLOCK
A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON AND MEISSEN PORCELAIN CLOCK
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A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON AND MEISSEN PORCELAIN CLOCK

THE MOVEMENT BY JEAN-BAPTISTE BAILLON, MID-18TH CENTURY

细节
A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON AND MEISSEN PORCELAIN CLOCK
THE MOVEMENT BY JEAN-BAPTISTE BAILLON, MID-18TH CENTURY
The case modelled as a fallow deer supporting a circular clock case formed by a celadon bowl issuing flowering branches, the enamel dial signed 'JBaptiste / Baillon', the pocket watch type fusee movement with verge escapement, the back plate further signed 'Baptiste Baillon' and 'No. 3280 A PARIS', on a pierced rocaille base
11 ½ in. (29 ½ cm.) high; 7 ¾ in. (20 cm.) wide; 4 ¾ in. (12 cm.) deep
来源
Collection de Monsieur de F., Galerie Georges Petit, Paris, 6 June 1930, lot 177 (illustrated).
出版
G. and A. Wannenes, Les plus belles pendules françaises, Edition Polistampa, 2013, p.120 (illustrated).

拍品专文

With its rare celadon porcelain figure of a deer and watch movement signed by the clockmaker Jean-Baptiste Baillon, this clock could possibly correspond to a delivery made by the marchand-mercier Lazare-Duvaux to Madame de Pompadour, on the 12th of June 1753, when a clock was described as:

‘Une pendule de porcelain celadon, ancienne, montée en bronze doré d’or moulu, le movement simple de Baillon, 550 l. ‘

Jean-Baptiste Baillon was one of France's most celebrated clockmakers of the 18th century. The son of Jean-Baptiste II, he was first received on 14 July 1727 as Valet de Chambre-Horloger Ordinaire de la Reine, in reversion (1738) and in exercise after the death of Claude Martinot (1744). Premier Valet de Chambre de la Reine (before 1748) then Premier Valet de Chambre and Valet de Chambre-Horloger Ordinaire de la Dauphine Marie-Antoinette (1770). Established Place Dauphine (1738), Rue Dauphine (after 1751). He was one of the most prolific Parisian clock makers of the 18th century. In 1753 Berthoud describing his workshop as ‘the finest and richest Clock Shop’. Baillon used cases by the best makers of the day; the Caffieris, J. B. Osmond, J. J. de Saint-Germain and B. Lieutaud.

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