A RARE GILT-BRONZE FIGURE OF AMITAYUS
A RARE GILT-BRONZE FIGURE OF AMITAYUS
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VARIOUS PROPERTIES
A RARE GILT-BRONZE FIGURE OF AMITAYUS

YONGLE INCISED SIX-CHARACTER PRESENTATION MARK AND OF THE PERIOD (1403-1424)

Details
A RARE GILT-BRONZE FIGURE OF AMITAYUS
YONGLE INCISED SIX-CHARACTER PRESENTATION MARK AND OF THE PERIOD (1403-1424)
The deity is seated majestically with legs crossed in dhyanasana, the hands in dhyana mudra, held above the thighs and holding a kalasa. The rounded face is finely modelled with an urna between the arched eyebrows with eyes downcast providing a benevolent expression, the hair swept back in a topknot behind an elaborate crown with short sashes tied behind the ears, wearing a shawl over the broad shoulders revealing a bare torso festooned with complex beaded jewellery chains, the long dhoti secured by a belt decorated with rosettes around
the narrow waist. The front of the beaded double-lotus base is incised with a six-character presentation mark, Daming Yongle Nianshi, ‘Bestowed in the Yongle period of the Great Ming Dynasty’.
7 in. (18 cm) high
Provenance
Acquired in San Francisco in the 1990s

Brought to you by

Priscilla Kong
Priscilla Kong

Lot Essay

The present figure belongs to a very rare group of smaller sized Buddhist images from the Yongle period that are finely and skilfully cast. Other similar Yongle-marked gilt-bronze figures from this group include a slightly larger (20.5 cm. high) seated figure of Amitayus with a cold-painted face in the State Hermitage Museum, St Petersburg, inventory number y-656; a standing figure of Amitayus of comparable overall height (18.4 cm. high), sold at Christie’s Hong Kong, 3 June 2015, lot 3009 (fig. 1); and a standing figure of Sakyamuni (19 cm. high) from the Speelman Collection, sold at Sotheby’s Hong Kong, 7 October 2006, lot 803. Buddhist images from the first half of the fifteenth century were greatly influenced by the art of Tibet. In the preceding century under the Yuan Dynasty, the authority of Mongol rulers had become closely associated with Tibetan Buddhist or Lamaist rituals. The tradition of Lamaist art continued into the Ming period and prevailed in works of art such as the present sculpture.

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