A LARGE FAMILLE ROSE ‘MAGPIE’ CHARGER
A LARGE FAMILLE ROSE ‘MAGPIE’ CHARGER
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A LARGE FAMILLE ROSE ‘MAGPIE’ CHARGER

QING DYNASTY, 19TH CENTURY

Details
A LARGE FAMILLE ROSE ‘MAGPIE’ CHARGER
QING DYNASTY, 19TH CENTURY
The charger is enamelled on the interior with magpies in flight and perched on two flowering branches, one bearing pink prunus blossoms and the other bearing greenish-white flowers, flanked by bamboo branches, the trunks extend over the rim onto the underside of the dish with further prunus blossoms, magpies and lingzhi sprigs. The base has an apocryphal Yongzheng mark.

18 7/8 in. (48 cm.) diam., Japanese wood box
Provenance
A Japanese family collection, descendants of a Daimyo family, Nara Prefecture, Yamato-Koriyama.

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Priscilla Kong
Priscilla Kong

Lot Essay

The cover of the Japanese wood box accompanying this lot has an inscription by Baron Nobumori Ozaki (1880-1966) describing this piece as “Yongzheng famille rose prunus, lingzhi, and magpie charger,” followed by a 27th year of Showa (1952) date. Baron Nobumori Ozaki (1880-1966) was born to a prominent Kyoto family and inherited the Baron title from his father in 1918. He was one of the earliest scholars of Oriental ceramics in Japan.
Magpies in the branches of prunus trees form a rebus xi shang meishao (May you have happiness up to your eyebrows). The particular ‘magpie and prunus’ design on the present dish appeared in at least as early as the Qianlong period (1736-1795). A Qianlong famille rose ‘magpie and prunus’ bottle vase in the Palace Museum, Beijing, is illustrated in Splendors of a Flourishing Age, Macau, 1999, no. 113.

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