拍品 36
36
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)
8 更多
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)
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Prospective purchasers are advised that several co… 显示更多
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)

La Promenade au Fleuve le jour de la Fête de la Pure Lumière

细节
SIGNATURE DE QIU YING (CHINE, DYNASTIE QING, 1644-1911)
La Promenade au Fleuve le jour de la Fête de la Pure Lumière
Monté en rouleau, encre et couleur sur papier.
Inscription et signature apocryphe de Qiu Ying Shi fu avec deux cachets.
Quatre cachets de collectionneur au début du rouleau.
Le colophon portant la signature apocryphe de Wen Zhengming avec trois cachets.


Longueur du rouleau fermé: 41 cm. (16 1/8 in.), boîte en bois
Dimensions de la peinture: 836 x 35 cm. (329 1/8 x 13 ¾ in.)
来源
Previously in a French private collection.
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.
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WITH SIGNATURE OF QIU YING (CHINA, QING DYNASTY, 1644-1911)
Along the River During the Qingming Festival
Handscroll, ink and colour on silk

荣誉呈献

Zheng Ma
Zheng Ma
+33 (0) 1 40 76 83 67

拍品专文

This present hand scroll is a re-interpretation of the renowned painting Along the River During the Qingming Festival, also known as the Qingming Shanghe Tu by the Song Dynasty painter Zhang Zeduan (1085–1145) conserved today in the collection of the Palace Museum in Beijing as a national treasure. The continuous scenes capture with great vividness and realism the daily life and the landscape of the city of Bianliang. Considered as a master piece by the emperors over the centuries, the Qingming Shanghe Tu had been repeatedely copied, re-interpreted and reproduced from the Yuan to the Qing dynasty. The Qing dynasty copies, such as the present painting, are often signed with name of great masters such as Tang Yin (1470-1524), Wen Zhengming (1470-1559) or Qiu Ying (ca. 1494-1552) in order to respond to the need of the art market at the time and also to pay tribute to these great artists and therefore perpetuate this artistic tradition.

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