A REGENCY BRASS-INLAID AND PARCEL-GILT BRAZILIAN ROSEWOOD BONHEUR-DU-JOUR
A REGENCY BRASS-INLAID AND PARCEL-GILT BRAZILIAN ROSEWOOD BONHEUR-DU-JOUR
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Prospective purchasers are advised that several co… Read more
A REGENCY BRASS-INLAID AND PARCEL-GILT BRAZILIAN ROSEWOOD BONHEUR-DU-JOUR

CIRCA 1815

Details
A REGENCY BRASS-INLAID AND PARCEL-GILT BRAZILIAN ROSEWOOD BONHEUR-DU-JOUR
CIRCA 1815
The upper part of inverted breakfront form with central mesh-panelled green silk-lined doors enclosing pigeon-holes above six mahogany-faced cedar-lined drawers arranged around a central cupboard above a shallow frieze drawer simulating two drawers, flanked by a pair of baize-lined cupboards above two further small drawers, the lower part with central cupboard flanked by bowed drawers on brass line-inlaid slender baluster legs with ball feet
56 in. (142 cm.) high; 42 ½ in. (108 cm.) wide; 22 in. (56 cm.) deep
Provenance
By repute: Princess Charlotte of Wales (1796-1817), Claremont, Esher, Surrey.
Leslie Godden Esq. (circa 1948).
Anonymous sale; Christie's London, 18 November 1982, lot 126.
Anonymous sale; Christie's New York, 17 October 1992, lot 274.
with Jeremy, London, 1993.
Literature
C. Musgrave, Royal Pavilion, 1948, p. 33, no. 129.
C. Musgrave, 'The Brighton Pavilion and its Civic Centenary', Connoisseur Year Book, 1951, p. 72 (illustrated)
Exhibited
Brighton Pavilion, on loan, circa 1948
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Amelia Walker
Amelia Walker

Lot Essay

The Franco-Italian character of this brass-inlaid lady's dressing-room cabinet, known as a bonheur-du-jour, reflects the tastes of George, Prince of Wales, later George IV (d. 1830) and his architectural advisors Henry Holland and Charles Heathcote Tatham. This style was popularised by Thomas Sheraton's Cabinet-Maker and Upholsterer's Drawing Books, 1793 and 1802, while the 'Egyptian' star motif on the doors was much favoured by the Prince's upholder George Smith in his Designs for Household Furniture, 1808 and is a feature seen on a set of brass-inlaid calamander quartetto tables by George Oakley.

The cabinet is reputed to have belonged to the Prince's daughter, Princess Charlotte (d. 1817), who, following her marriage to Prince Leopold of Saxe-Saalfeld, lived at Claremont House, Esher, Surrey, which had been built by Holland in collaboration with Lancelot Brown in the 1770s for Clive of India. It is most likely to have been supplied by the Mount Street firm of Tatham, Bailey & Saunders, which supplied rosewood furniture with gilt enrichments to the Prince of Wales in 1814 and was one of the most important cabinet-making firms of the period.

The Princess owned a number of pieces of brass-inlaid furniture, some of which were included in Messrs. Puttick & Simpson's sale of the contents of Claremont, 25-28 October 1926. Other similar Regency pieces were sold at Christie's London, 16 July 1981, lots 158, 159, 171, 172, 174, and 177; they had passed by descent to H.R.H. Princess Alice, Countess of Athlone from her parents the Duke and Duchess of Albany who had lived at Claremont from 1882 to 1922.

The cabinet was loaned to Brighton Pavilion for the 1950 Centenary Exhibition, which celebrated the anniversary of the town acquiring guardianship of the Royal Pavilion, thus saving it from the threat of demolition. Prior to this, however, in 1847-8 the interiors were stripped of their furnishings until the idea of the Regency Exhibition was mounted in 1946 for which items with Brighton Pavilion provenance were loaned from the Royal Collection, alongside other fitting Regency pieces from various private collections, in order to recreate the atmosphere of the interiors.

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