Alina & Jeff Bliumis (B. 1972 & 1958)
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Alina & Jeff Bliumis (B. 1972 & 1958)

Language Barrier

細節
Alina & Jeff Bliumis (B. 1972 & 1958)
Language Barrier
resin, foam, fabric, acrylic, ink, steel and human hair
dimensions variable
Executed in 2008
來源
Irena Hochman Fine Art Ltd., New York (acquired directly from the artist).
Acquired from the above by the present owner in 2008.
展覽
London, Saatchi Gallery, Shape of Things to Come, 2009, p. 196 (illustrated in colour, pp. 196-197).
London, Saatchi Gallery, Dead: A Celebration Of Mortality, 2015.
注意事項
VAT rate of 20% is payable on hammer price and buyer's premium Please note that at our discretion some lots may be moved immediately after the sale to our storage facility at Momart Logistics Warehouse: Units 9-12, E10 Enterprise Park, Argall Way, Leyton, London E10 7DQ. At King Street lots are available for collection on any weekday, 9.00 am to 4.30 pm. Collection from Momart is strictly by appointment only. We advise that you inform the sale administrator at least 48 hours in advance of collection so that they can arrange with Momart. However, if you need to contact Momart directly: Tel: +44 (0)20 7426 3000 email: pcandauctionteam@momart.co.uk.

拍品專文

Alina and Jeff Bliumis, both originally from the former Soviet Union, now live and work in New York, crafting multidisciplinary artworks which grapple with themes of immigration, assimilation and alienation in an increasingly globalised world. Their own past experiences greatly inform their practice: ‘Having grown up in the socialist reality of the former Soviet Union, during Cold War, and then later living for a long period of time in the United States, both of us experienced what it was like to be “the other” from both sides of the spectrum,’ the duo have stated. ‘Since we are now American citizens, we consider ourselves American artists. Yet because of our background, we are constantly comparing social, political and cultural nuances as well as the similarities and differences.’ Executed in 2008, Language Barrier directly engages with issues of communication, adaptation, misinterpretation and social reorganization. Comprising of a life-size mannequin who has been all but obliterated by a precarious pile of colourful cast-foam books, the sculptural work comes from a series by the same name which was realised between 2006 and 2008. By exploring language as a construct, at once fallible and limiting, this project addresses the social and cultural differences that characterize our interconnected world. Such barriers, at times tangible and resistant, at others permeable or unseen, become a poignant metaphor for the complexities that arise from social and cultural diversity.

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