Ferdinando Quaglia (Italian, 1780-1853)
Ferdinando Quaglia (Italian, 1780-1853)
Ferdinando Quaglia (Italian, 1780-1853)
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Ferdinando Quaglia (Italian, 1780-1853)

細節
Ferdinando Quaglia (Italian, 1780-1853)
Ignazio Degotti (d. 1824), celebrated scenographer at the Paris Opéra, seated in a gilded Empire fauteuil carved with lion heads
Signed and dated ‘Quaglia f. 1812.’ (upper right)
On ivory
Rectangular, 217 x 165 mm., gilt-bronze frame
來源
Helft Bensimon Collection, Paris.
With Leo R. Schidlof, from whom acquired by Ernst Holzscheiter in Paris, 5 May 1936 (inv. nos. MD/0682 and 465).
出版
Gabet 1831, p. 575.
Jeannerat 1922, p. 543, illustrated p. 545 (as a portrait of Degotti).
Isler-Hungerbühler 1961, pp. 32-33, illustrated fig. 4.
Schidlof 1964, II, pp. 657 (described as ‘a masterpiece’ and ‘important’), and 1026, illustrated IV, pl. 468, fig. 962 (the sitter identified as the actor François Joseph Talma).
Cavalli-Björkman 1981, p. 141, illustrated (as a portrait of Talma).
Parisio 2012, pp. 35-36, illustrated (as Ignazio Degotti).
展覽
Paris, Salon, 1812, no 750 (as a portrait of M. Degotti).
Arenenberg 1954, no. 33 (as a portrait of Talma).
Geneva 1956, no. 367, illustrated (as a presumed portrait of François-Joseph Talma).
Zurich, Haus am Zurich 1957-58 and 1961.
Vienna 1965, no. 311 illustrated fig. 19 (as Talma).
London 1972, no. 976 (as a portrait of Talma).
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品專文

Ignazio Degotti was a celebrated set painter at the Paris Opéra. Born in Turin, he was a pupil of Bernardino and Ignazio Galliari who taught him perspective painting at the Royal Academy of painting and sculpture in Turin. He worked in Piedmont, Rome and Naples as a scenographer specialising in perspective architecture and landscapes. In 1796 he was appointed dessinateur des décorations at the Paris Opéra for the staging of Gluck’s Alceste and he held this position until 1817. Jacques-Louis David enlisted Degotti’s help with his gargantuan depiction of the coronation of Emperor Napoleon (Louvre, inv. no. 3699) with Degotti drawing the architectural elements of the painting. Measuring 10 x 6.2 m, the work showcases Degotti’s talent as a perspectives painter. Degotti even features in the scene, in the upper left balcony, standing behind Madame Mère, and to his right is Jacques-Louis David himself. David made a sketch of Degotti from memory on which he inscribed ‘le célèbre décorateur desgotti [sic] fait de souvenir par David’ (sold Christie’s, Paris, 10 April 2008, lot 131).
G. Cavalli-Björkman, op. cit., p. 140 illustrates a self-portrait miniature by Jacob Axel Gillberg in exactly the same pose, guise and chair as Degotti. It is now in the Royal Academy of Arts, Stockholm.
We are indebted to Chiara Parisio for her help with our research.

更多來自 Treasured Portraits from the Collection of Ernst Holzscheiter

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