Alev Ebüzziya Siesbye (B.1938)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY OF AN IMPORTANT EUROPEAN COLLECTOR
Alev Ebüzziya Siesbye (B.1938)

Lapis Lazuli

Details
Alev Ebüzziya Siesbye (B.1938)
Lapis Lazuli
incised and dated 'alev ‘89' (on the base)

stoneware, dark blue glaze with a masked design
9 7/8 high x 12 7/8in. diameter (25 x 32.7cm.)
Executed 1989
Provenance
Private collection, New York.
Anon. sale, Bonhams New York, 16 December 2013, lot 1338.
Acquired from the above sale by the present owner.
Literature
Garth Clark, Alev Ebüzziya Siesbye, 1999, p. 92 (similar example illustrated).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Leonie Mir
Leonie Mir

Lot Essay

Born and raised in Istanbul, the Turkish-Danish artist formed her artistic identity in the studios of important workshops such as Eczacıbaşı Ceramic Factories and, later, Royal Copenhagen. After only two years in the eponymous Danish ceramic factory, she opened a workshop in Copenhagen and began successfully exhibiting her own work. Although clean in line and colour, Alev Ebüzziya Siesbye’s bowls each vary slightly on this deceptively simple theme. The linear shapes and colour achieved by the artist, are the result of a complex process of creation and a deep understanding of space, colour and texture.

Her pots with their iconic unglazed rim and array of strong, exotic colours give a feeling of absolute stillness; of a precisely designed volume floating in a tense and static space. Throughout her career, the precise evolution of her ceramic forms followed a slow and steady pattern; each revealing of a gradual development in the style and period within the artist’s life.

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