JALAL AL-DIN RUMI (D. AH 672/1273-74 AD): MATHNAVI
JALAL AL-DIN RUMI (D. AH 672/1273-74 AD): MATHNAVI
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No VAT on hammer price or buyer's premium. A MATHNAVI COPIED FOR PRINCE MUZAFFAR AL-DIN BY VISAL SHIRAZI
JALAL AL-DIN RUMI (D. AH 672/1273-74 AD): MATHNAVI

BY MIRZA KHOCHAK SHIRAZI KNOWN AS VISAL, QAJAR IRAN, DATED RABI II AH 1284/AUGUST 1867

細節
JALAL AL-DIN RUMI (D. AH 672/1273-74 AD): MATHNAVI
BY MIRZA KHOCHAK SHIRAZI KNOWN AS VISAL, QAJAR IRAN, DATED RABI II AH 1284/AUGUST 1867
The famous mystical poetry, Persian manuscript on paper, 293ff. plus two flyleaves, each folio with 25ll. of elegant black nasta'liq arranged in four columns between double black and gold intercolumnar divisions, titles in blue and red nasta'liq, text within red, blue and black-ruled gold frame, catchwords, the opening bifolios of each of the six sections with finely illuminated headpiece and gold and polychrome floral margins, colophon with date and attribution to Vesal and a dedicatory statement gifting the manuscript to Prince Muzaffar al-Din Shah, in original Qajar black shagreen binding decorated with gilt and painted central medallion and spandrels, in brown morocco box, red morocco doublures
Text panel 8 3/8 x 4 7/8in. (21.2 x 12.3cm.); folio 11 ½ x 7 ½in. (29.1 x 19cm.)
刻印
The seal impression reads: bar molkat-e naseri vali’ahd bar rayat-e nasr-e haq muzaffar al-din 1282, ‘Upon the Naseri reign, the prince (vali’ahd) the symbol of succour and righteousness, Muzaffar al-Din. AH 1282/1865-66 AD’
注意事項
No VAT on hammer price or buyer's premium.

榮譽呈獻

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam

拍品專文

The colophon of this manuscript states that it was copied by Visal Shirazi and presented as a gift to the prince of the nation (vali’ahd-e dawlat) in AH 1284. At the time this would have been Muzaffar al-Din Shah. A seal impression of Muzaffar al-Din Shah on the opening illuminated bifolio of the manuscript supports this statement.

Muhammad Shafi' known as Visal Shirazi (1782-1846) is considered one of the most famous calligraphers, scholars and poets of the 19th century. He is praised by different biographers for his knowledge of music, singing, mathematics, painting, occult sciences and grammar. He wrote all seven styles, and in different colour inks, and illuminated and painted manuscripts himself. Visal trained many in shikasteh and nasta'liq scripts, though his Nayrizi-style naskh script was particularly treasured. It is recorded that he copied 67 Qur'ans, 700 prayer books and diwans of various poets (Bayani, vol. III, 1348, pp.755-62 and Stanley, 2009, p.72).

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