Abdulla Al Qasar (Kuwaiti, 1941-2003)
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Abdulla Al Qasar (Kuwaiti, 1941-2003)

Tandeef Alhinta – Paisane

细节
Abdulla Al Qasar (Kuwaiti, 1941-2003)
Tandeef Alhinta – Paisane
signed in Arabic (lower left)
acrylic on canvas
39 1/4 x 31 3/8 in. (99.7 x 80cm.)
Painted in 1968
来源
Private Collection, Kuwait.
Acquired from the above by the present owner.
展览
Sharjah, Barjeel Art Foundation, Re:Orient, 2013 (illustrated in colour, p. 71).

注意事项
This lot is offered without reserve. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品专文

Christie’s is proud to present for the first time at auction a work by the legendary and pioneering Kuwaiti artist, Abudllah Al Qasar. The artist drew his inspiration from the everyday culture in both Kuwait and Egypt, painting daily scenes of people, landscapes, and most notably the traditional fishing practice from the Arabian Gulf. Al Qasar occupies a very special place as part of the first generation of painters who founded Kuwait’s modern art movement.

The present work exemplifies Al Qasar’s sensitivity and appreciation for daily life home ritual of women. In this canvas, the painter uses a very simple yet captivating subject matter to inspire the viewer: a young, beautiful woman, in modest clothing sits on the floor shifting grain. Equally as poetic as the subject is Al Qasar’s style of painting. The use of warm, earthly tones greens, yellows, and browns, along with the comforting sunlight that permeates into the scene and embraces the sitting woman from left to right, conveys a feeling of serenity and peace. The close sense of perspective also allows the viewer to establish a relationship with the woman while she is looking down performing a repetitive act of manual labour – an idea that is further emphasised by the display of the hands and the right foot of the girl. One of the most striking aspects of this painting, however, is Al Qasar’s signature swirling, interconnected lines that span all throughout the canvas. Adapting themselves to the surfaces they cover, these lines create a confusing yet beautifully captivating dynamic that provide depth and movement to the portrait.

更多来自 中东及现当代艺术

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