拍品專文
Compare the four seasons in the Bayrisches Nationalmuseum, Munich, P.W. Meister and H. Reber, European Porcelain of the 18th Century, Oxford, 1983, p. 66, no. 70.
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Ceramics from the Collection of Marjorie West
THREE NYMPHENBURG PORCELAIN BUSTS EMBLEMATIC OF SPRING, SUMMER AND WINTER
CIRCA 1760, EACH WITH IMPRESSED BAVARIAN SHIELD MARK ON A CARTOUCHE ON THE FRONT OF THE SOCLE, MODELED BY F.A. BUSTELLI
細節
THREE NYMPHENBURG PORCELAIN BUSTS EMBLEMATIC OF SPRING, SUMMER AND WINTER
CIRCA 1760, EACH WITH IMPRESSED BAVARIAN SHIELD MARK ON A CARTOUCHE ON THE FRONT OF THE SOCLE, MODELED BY F.A. BUSTELLI
Spring as a maiden with a flower-filled apron; Summer as a maiden with wheat and a scythe; Winter as a bearded man with a muff
5 7/8 in. high, the largest
CIRCA 1760, EACH WITH IMPRESSED BAVARIAN SHIELD MARK ON A CARTOUCHE ON THE FRONT OF THE SOCLE, MODELED BY F.A. BUSTELLI
Spring as a maiden with a flower-filled apron; Summer as a maiden with wheat and a scythe; Winter as a bearded man with a muff
5 7/8 in. high, the largest