A PAIR OF LOUIS XV GILTWOOD FAUTEUILS
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A PAIR OF LOUIS XV GILTWOOD FAUTEUILS

BY FRANCOIS REUZE, CIRCA 1750

细节
A PAIR OF LOUIS XV GILTWOOD FAUTEUILS
BY FRANCOIS REUZE, CIRCA 1750
Each upholstered à chassis, the back rails each with red paint C.C. 38, one stamped ...R.C. REUZE, the other with partial printed paper label GALLERIES G… No.72
来源
The Collection of Madame Lucienne Fribourg, Parke Bernet, New York, 19 April 1969, lot 184.
The Collection of Henry Ford II, Sotheby’s, New York, 25 February, 1978, lot 72.
Acquired from Rosenberg and Stiebel, New York, March 1978.
展览
Exposition Internationale du Cadre du XV au XX Siècle, Galerie Georges Petit, Paris, April 1931, no.734.
注意事项
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

拍品专文

Francois Reuze, maître in 1743.

The oeuvre of François Reuze, almost all executed in a mature Louis XV style, is characterized by its ample, generous proportions and the fluidity of its lines. Based on the rue de Cléry, he worked extensively for the royal court, particularly for Queen Marie Antoinette, and also for the royal court of Sweden. A number of pieces by Reuze, including a marquise à la reine, are in the collection of the Musée Carnavalet, Paris (see Anne Forray-Carlier, Le Mobiler du Musée Carnavalet, Dijon, 2000, p.110).

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