A LATE LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED MAHOGANY, AMARANTH AND EBONY-STRUNG SECRETAIRE A ABATTANT
A LATE LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED MAHOGANY, AMARANTH AND EBONY-STRUNG SECRETAIRE A ABATTANT
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A LATE LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED MAHOGANY, AMARANTH AND EBONY-STRUNG SECRETAIRE A ABATTANT

BY NICHOLAS LANNUIER, CIRCA 1790

細節
A LATE LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED MAHOGANY, AMARANTH AND EBONY-STRUNG SECRETAIRE A ABATTANT
BY NICHOLAS LANNUIER, CIRCA 1790
The fall front inset with a Sevres porcelain panel opening to drawers and pigeonholes, with yellow chalk French & Co. inventory number 58253 and stenciled inventory number 91204, stamped N LANNUIER to top of back right leg, the porcelain possibly associated and reused
8 ¾ in (124 cm.) high, 46 ¼ in. (117.5 cm.) wide, 15 ¾ in. (40 cm.) deep
來源
With French & Co., New York, in 1954.
Acquired from Etienne Levy, Paris, in 1967.
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

拍品專文

Nicolas Lannuier, maître in 1783.

Nicolas-Louis-Cyrille Lannuier started his career at a young age with the cabinet-maker Jean-Baptiste Cochois, whose workshop was near that of the celebrated ébéniste Roger Vandercruse (known as Lacroix), who worked almost exclusively for marchands-merciers such as Simon-Philippe Poirier.
After achieving his maîtrise, he rapidly developed his business as a marchand as well as an ébéniste. Based on the rue Saint-Thomas du Louvre, his workshop was evidently an important one, as an inventory valued the stock at 18,638 livres and his assets at 28,566 livres, a considerable amount for the period.
He specialized in meubles de luxe such as mechanical tables, cylinder bureaux, commodes and consoles desserte, all richly mounted with gilt-bronzes. His work falls broadly into two categories: a small number of pieces ornamented with highly refined marquetry of flowers, fruit and trophies, and a larger group of pieces characterized by a sober use of mahogany of high quality.

更多來自 愛戀法國:伊麗莎白·斯塔福德珍藏

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