A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE
A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE
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Prospective purchasers are advised that several co… Read more
A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE

ATTRIBUTED TO ROGER VANDERCRUSE, CIRCA 1750

Details
A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE
ATTRIBUTED TO ROGER VANDERCRUSE, CIRCA 1750
The frieze drawer enclosing a green leather-lined writing surface and silver-plated sander, pen well and inkwell, stamped indistinctly …AT…[?]
28 ¾ in. (73 cm.) high, 29 in. (73.5 cm.) wide, 17 ½ in. (44.5 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

Lot Essay

Roger Vandercruse, known as Lacroix, maître in 1755.

This elegant table belongs to a group of similar examples by or attributed to RVLC, including one in the Wrightsman Collection, Metropolitan Museum of Art (illustrated in F.J.B. Watson, The Wrightsman Collection, New York, 1966, vol. II, cat. 155, and two further tables sold for the Wildenstein Collection, Christie's, London, 14 December 2005, lots 48 and 49. Each of these tables features the same distinctively shaped top and similar bois de bout marquetry foliate trails.

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