An iron articulated sculpture of a hermit crab
An iron articulated sculpture of a hermit crab

Edo period (18th-19th century), signed Myochin saku (made by Myochin)

细节
An iron articulated sculpture of a hermit crab
Edo period (18th-19th century), signed Myochin saku (made by Myochin)
The russet-iron hermit crab finely constructed of numerous hammered plates jointed inside the body; the antennae, limbs, claws and fins move, the details finely carved and chiseled, signature on body
5 ½ in. (14 cm.) long
出版
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), pp. 334-335.
展览
National Palace Museum, “The arts and Cultures of Asia,” 2004. cat. no. 22.
“Meiji Kogei: Amazing Japanese Art,” shown at the following venues: Tokyo University of the Arts Museum, 2016.9.7-10.30. Hosomi Museum, Kyoto, 2016.11.12-12.25. Kawagoe City Art Museum, 2017.4.22-6.11. cat. no. 17

荣誉呈献

Priscilla Kong
Priscilla Kong

拍品专文

Because of the complicated structure of the spiral shell, the hermit crab is very difficult to model. There are some very fine examples of articulated hermit crabs from Edo period, including a hermit crab in the collection of the British Museum, signed by Myochin Munenaga (18th-19th century). The spiral conch shell was a popular design for samurai helmets, because its hard shell represents armor or good protection. A fine hammered iron helmet in spiral shell form is in the collection of the Walters Art Museum, Baltimore (fig. 1). The conch shell, hai luo in Chinese, is an important symbol in Buddhism and is one of the Eight Buddhist Emblems, bajixiang. It is seen as a symbol of the extended sound of the transmission of Buddhist teachings, and is particularly associated with Tibetan Buddhism.
For another articulated hermit crab signed by Munenaga in The British Museum, see Harada Kazutoshi, ed., Jizai okimono / Articulated Iron Figures of Animals, Rokusho 11 special edition (2010), pl. 28.

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