A silver kettle and cover
A silver kettle and cover

Meiji period (late 19th century), signed Minjo to (Carved by Unno Minjo; 1873-1910) and inscribed ka Shomin

Details
A silver kettle and cover
Meiji period (late 19th century), signed Minjo to (Carved by Unno Minjo; 1873-1910) and inscribed ka Shomin
The compressed globular form with a spout, the body finely cast and chiseled with puppies, applied with handle, the lid set with a pierced finial cast as a kemari (court kickball), signature on body
5 ½ in. (14 cm.) wide
Literature
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), p. 200.
Exhibited
Preparatory Office of the National Headquarters of Taiwan Traditional Arts, “Japan Arts of Meiji Period; Asia-Pacific Traditional Arts Festival Special Exhibition.” 2011.7.8-2012.1.8. cat. p. 74.
“Meiji Kogei: Amazing Japanese Art,” shown at the following venues: Tokyo University of the Arts Museum, 2016.9.7-10.30. Hosomi Museum, Kyoto, 2016.11.12-12.25. Kawagoe City Art Museum, 2017.4.22-6.11. cat. no. 74.

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Priscilla Kong
Priscilla Kong

Lot Essay

Minjo was the first son of Unno Shomin (1844-1915) of the Mito school of metalwork who became a lecturer in the Metal Sculpture Department of the Tokyo School of Fine Art, and was later honored as an Imperial Household Artist (Teishitsu Gigei-In). Minjo entered Tokyo School of Fine Arts and became skilled in the traditional metalwork techniques, studying under both his father and another metal master, Kano Natsuo (1828-1898). After graduation in 1897, Minjo participated in many exhibitions, including the 1900 International Exposition held in Paris. He was called ko shomin (little Shomin) and was expected to be the successor to the family metalworking tradition, however he died prematurely in 1910. On this kettle, Unno Minjo inscribed ka Shomin 伽 勝珉, which may be interpreted as an homage to his father as the character can mean “attending” or “attendant”.
The style of puppies depicted on the present lot shows close relationship to the paintings by Nagasawa Rosetsu (1754-1799), one of the Maruyama Shijo school artists. Minjo may be inspired from the cheerful puppies painted by Rosetsu.

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