Jacopo Negretti, Palma il Giovane (Venice circa 1548-1628)
Jacopo Negretti, Palma il Giovane (Venice circa 1548-1628)

The Last Judgment

Details
Jacopo Negretti, Palma il Giovane (Venice circa 1548-1628)
The Last Judgment
with number '1655' (on the mount) and with inscription 'Palma' (verso)
black chalk, pen and brown ink, brown wash, heightened with white (slightly oxidized)
3 7/8 x 9¾ in. (9.9 x 24.4 cm)
Provenance
Sir Thomas Lawrence, London (1769-1830) (L. 2445).
M.H. Bloxam, by whom given to Rugby School Art Museum; with his inscription and attribution 'Rugby School Art Museum e dono Matt: H: Bloxam 1880/ Venetian School/ Lawrence Collection/ Palma' (on the mount).
Literature
Anne Popham, typescript catalogue, no. 31.

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Phoebe Tronzo
Phoebe Tronzo

Lot Essay

This is an early idea for the monumental canvas, measuring nearly 4 by 16 metre, showing The Last Judgment in the Sala dello Scrutinio, Palazzo Ducale, Venice (Fig. 1; S. Mason Rinaldi, Palma il Giovane. L'opera completa, Milan, 1984, no. 539, fig. 213). Other studies for the picture, which show Christ in a pose similar to that in the present sheet, are in the Kupferstichkabinett, Berlin and Universitätsbibliothek, Salzburg (ibid., nos. D14 and D179, figs. 211-212). To judge from the complexity and importance of the project, many more studies for it must have existed.

The immense Sala dello Scrutinio, built from the 1520s to the 1540s, was initially used as a library. In 1532, however, it was decided that the hall should be used for electoral counting and political assemblies. The hall was destroyed by fire in 1577 and was rebuilt and decorated from 1578. For this ambitious decorative scheme a number of artists were employed, among them Andrea Vicentino, Pietro Liberi and Pietro Bellotti, as well as Palma, who painted his picture between 1594 and 1595.


Fig. 1. Jacopo Negretti, Palma il Giovane, The Last Judgement , oil on canvas, Palazzo Ducale, Venice.
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