Lot Essay
These intricately engraved ivory-inlaid trestle tables are closely related to a similar pair of tables in the collection of the Galleria Doria Pamphilij in Rome, discussed in Gonzalez Palacios, Il Tempio del Gusto, vol. 1, p. 242 and vol. 2, figs. 434-36, pp. 190-91 as possibly by the hand of Neapolitan ivory engraver Giovanni Battista De Curtis (active late 16th- early 17th century). Together with other leading craftsmen such as Pietro Pax and Gennaro Picicato, he is known to have collaborated with Flemish cabinetmaker Iacobo Fiamengo on several pieces of furniture, mainly cabinets and tables.
Gonzalez Palacios records a closely-related table in the Sala del Greco at the Escorial Palace (Madrid), as well as a similar one (illustrated in Ferrari, Il legno e la mobilia nell’Arte italiana, p. 313) currently in the collection of the Museo delle Arti Industriali in Rome. A closely-related table, attributed to Fiamengo and De Curtis, sold at Christie’s London 12-13 December 2007 (Collection of Giorgio Marsan and Umberta Nasi, lot 25, £120,500).
Gonzalez Palacios records a closely-related table in the Sala del Greco at the Escorial Palace (Madrid), as well as a similar one (illustrated in Ferrari, Il legno e la mobilia nell’Arte italiana, p. 313) currently in the collection of the Museo delle Arti Industriali in Rome. A closely-related table, attributed to Fiamengo and De Curtis, sold at Christie’s London 12-13 December 2007 (Collection of Giorgio Marsan and Umberta Nasi, lot 25, £120,500).