AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP
AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP
AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP
AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP
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This lot will be removed to Christie’s Park Royal.… Read more PROPERTY OF A LADY (LOTS 297 - 298)
AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP

ROME, LATE 18TH CENTURY, INCORPORATING EARLIER CENTRAL PANEL, PROBABLY 15TH / 16TH CENTURY

Details
AN ITALIAN ORMOLU-MOUNTED HARDSTONE SPECIMEN MARBLE TABLE TOP
ROME, LATE 18TH CENTURY, INCORPORATING EARLIER CENTRAL PANEL, PROBABLY 15TH / 16TH CENTURY
The rectangular central panel of Sicilian jaspers within an intricate geometrical mosaica white marble border inlaid with various jaspers and lapis lazuli, framed by a lapis lazuli and onyx surround, the ormolu rim cast with entwined vine branches; the alabaster veneered side borders later
61 in. (155 cm.) wide; 31 in. (79 cm.) deep
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Paul Gallois
Paul Gallois

Lot Essay

This magnificent veneered Roman marble top luxuriously veneered with lapis lazuli within its 18th century rich Roman ormolu border is typical of the Grand Tour fashion for embellishing ‘antique’ objects and works of art. The marble would have originally adorned the top of a console table, and incorporates an older multi-coloured panel of semiprecious stone composed of intricately cut separate pieces arranged in a geometric pattern within a mosaica border. This particular style of stone inlay, known as maniera cosmatesca, emerged during the XII and XIII centuries with the Roman marmorari, medieval marble workers. Reutilising ancient polychrome marbles and hardstones, these dynasties of craftsmen – amongst whom the Cosmati and Vassalletto families stand out for their skill and popularity – gave origin to a new style of inlaid decoration inspired by Islamic and Byzantine decorative schemes. The technique, which is characterised by a recurring and fixed repertoire of patterns and layouts, was predominantly used in sacred architecture, and remained highly popular in Rome and its surrounds as well as in the kingdoms of Naples and Sicily for over two centuries. As with many other marble and hardstone table tops, it is probable that the older central element of the present example was removed from its original setting, in a church, chapel or funerary monument, and fitted within its current onyx and lapis lazuli border to satisfy the growing antiquarian taste of the 18th century.

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