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4 Double Trames - 4˚ + 4˚ - 8˚ + 8˚ (4 Double Frames - 4˚ + 4˚ - 8˚ + 8˚)
Details
                                        
                                            François Morellet (1926-2016)
4 Double Trames - 4° + 4° - 8° + 8° (4 Double Frames - 4° + 4° - 8° + 8°)
signed twice, titled and dated '4 double trames - 4° + 4° - 8° + 8° Morellet F. Morellet 1959' (on the reverse)
oil on board
81 x 81cm.
Painted in 1959
                                        
                                    4 Double Trames - 4° + 4° - 8° + 8° (4 Double Frames - 4° + 4° - 8° + 8°)
signed twice, titled and dated '4 double trames - 4° + 4° - 8° + 8° Morellet F. Morellet 1959' (on the reverse)
oil on board
81 x 81cm.
Painted in 1959
Provenance
                                        
                                            Lucy Milton Gallery, London (acquired directly from the artist).
Thence by descent to the present owner.
                                    Thence by descent to the present owner.
Exhibited
                                        
                                            Pittsburgh, Carnegie Institute, 1961 Exposition Internationale des Peintures et Sculptures Contemporaines, 1961-1962, no. 270, unpaged, as: Trames 4°8°.
San Marino, Celebrazioni Sammarinesi, Palazzo del Kursal, IV Biennale Internazionale d'Arte, 1963 (illustrated, p. 118), as: Trames 4.a 8.a.
                                    San Marino, Celebrazioni Sammarinesi, Palazzo del Kursal, IV Biennale Internazionale d'Arte, 1963 (illustrated, p. 118), as: Trames 4.a 8.a.
Special notice
                                        
                                            Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.	
                                        
                                    Further details
                                        
                                            This work is registered in the archive of François Morellet under no. 59010.
                                        
                                    Brought to you by
            
                Lisa Snijders