ATTRIBUTED TO BATTISTA PITTONI (C.1520-C.1583), PADUAN, MID-16TH CENTURY
ATTRIBUTED TO BATTISTA PITTONI (C.1520-C.1583), PADUAN, MID-16TH CENTURY
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ATTRIBUTED TO BATTISTA PITTONI (C.1520-C.1583), PADUAN, MID-16TH CENTURY

MADONNA AND CHILD WITH THE YOUNG SAINT JOHN THE BAPTIST

细节
ATTRIBUTED TO BATTISTA PITTONI (C.1520-C.1583), PADUAN, MID-16TH CENTURY
MADONNA AND CHILD WITH THE YOUNG SAINT JOHN THE BAPTIST
Terracotta relief; in a later faux-marble terracotta frame
11 x 11 in. (28 x 28 cm.), the relief; 23 ½ x 23 ½ in. (59.7 x 59.7 cm.), overall
出版
New York, American Bible Society, Icons or Portraits? Images of Jesus and Mary from the Collection of Michael Hall, July 26 - Nov. 15 2002, E. Heller ed., cat. no. 18, pp. 64-5.

COMPARATIVE LITERATURE:
A. Bacchi, La scultura a Venezia dal Sansovino al Canova, Milan, 2000, pls. 139-41, p. 793.
G. Ericano, 'A scultura lignea del Seicento nel Veneto', Scultura lignea barocca nel Veneto, A.M. Spiazzi ed., Milan, 1997, 30.
展览
Fine Arts Museums of San Francisco.
New York, Mobile, Evansville and Sacramento, American Bible Society, Mobile Museum of Art, Evansville Museum of Arts and Sciences and Crocker Museum of Art, Icons or Portraits? Images of Jesus and Mary from the Collection of Michael Hall, July 2002 - Jan. 2004, cat. no. 18.
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品专文

This beautiful relief was modelled by hand in clay and then baked in a kiln into terracotta. It depicts the moment, not included in the scriptures, that the little St John was introduced to the Christ Child when the Holy Family stayed with Elizabeth on their return from Egypt. Previously linked to the work of Niccolo Roccatagliata, in 2002 Avery attributed the relief to the printmaker and designer Battista Pittoni. Pittoni designed the magnificent choir stalls of the Basilica Santa Giustina in Padua which were carved in wood by Riccardo Taurino from Rouen. Avery pointed to documentary evidence that Pittoni provided models in clay for all the works that the monks ordered to be carved in wood by Taurino ('facendo prima esso maestro Battista, il schizo in creda') and to the close stylistic comparisons between Taurino's celebrated creations in wood and the present relief. For example, the delicate face of the Virgin, her elegant hands with slim fingers, the noticeably small head of Christ and the details of the cloth in the background have close parallels in Taurino's work. It is possible that Pittoni modelled the present relief between 1558 and 1572 as a sculpted preliminary sketch to show to the friars of the church or other patrons he may have been cultivating.

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