AFTER THE ANTIQUE, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY
AFTER THE ANTIQUE, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY
AFTER THE ANTIQUE, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY
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AFTER THE ANTIQUE, ITALIAN, EARLY 19TH CENTURY
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This lot will be removed to Christie’s Park Royal.… Read more
AFTER THE ANTIQUE, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY

THE DYING GAUL

Details
AFTER THE ANTIQUE, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY
THE DYING GAUL
Large marble group
41 1/8 in (104.4 cm.) wide; 22 7/8 in. (58 cm.) high
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Donald Johnston
Donald Johnston

Lot Essay

The Dying Gaul, displayed at the Musei Capitolini, is a Roman copy of a lost Hellenistic sculpture, and is one of the most celebrated sculptures of the ancient world. It was first recorded in the collections of the Ludovisi family in Rome in 1623 where it was restored to its present form. It was taken by Napoleon's forces to Paris in 1797 and displayed in the Louvre until 1816, when it was returned to Rome. Widely admired as a powerful portrayal of heroic nudity, it was long known as the Dying Gladiator on the assumption that it depicted a wounded gladiator in a Roman amphitheatre, only being identified as a Gaul in the nineteenth century.

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