Oliver Madox Brown (1855-1874)
Oliver Madox Brown (1855-1874)

The Infant Jason delivered to the Centaur

Details
Oliver Madox Brown (1855-1874)
The Infant Jason delivered to the Centaur
signed with monogram and dated '69' (lower right)
pencil and watercolour heightened with bodycolour and gum arabic on paper
13 x 18 3/8 in. (33 x 46.8 cm.); and W.M. Rossetti and F.M. Hueffer (eds.), The Dwale Bluth, Hebditch's Legacy, and Other Literary Remains of Oliver Madox-Brown, London, 1876, 2 vols.
(3)
Provenance
C. Smythe.
Dr Jerrold N. Moore, of New Haven, Connecticut.
Anonymous sale; Christie's, London, 29 January 1980, lot 144.
Literature
J.H. Ingram, Oliver Madox Brown, London, 1883, p. 15.
The Athenaeum, 21 July 1883, no. 2908, p. 69.
F.M. Hueffer, Ford Madox Brown, London, 1896, pp. 243-4.
W.M. Rossetti, in O.M. Brown, The Dwale Bluth, etc., London, 1896, pp. 4-5.
W.E. Fredeman, 'Pre-Raphaelite Novelist Manque: Oliver Madox Brown', Bulletin, 33, 1968, p. 36.
Exhibited
London, Dudley Gallery, February 1869, no. 125, lent by the artist.
Indianapolis, Herron Museum of Art; New York, Gallery of Modern Art, The Pre-Raphaelites: A Loan Exhibition of Paintings and Drawings by Members of the Pre-Raphaelite Brotherhood and Their Associates, February - May 1964, no. 9, lent by J.N. Moore.

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Clare Keiller
Clare Keiller

Lot Essay

At the time of Oliver Madox Brown’s death Rossetti wrote to his father, the artist Ford Madox Brown: ‘Your son, with such a beginning, would probably – most probably – have proved the first imaginative writer of his time’ (O. Doughty and J.R. Wahl (eds.), Letters of Dante Gabriel Rossetti, Oxford, 1965-7, letter 1536). Known as ‘Nolly’ to his family and close friends, Madox Brown’s work was heavily influenced by his father’s. His talent showed itself early when he executed his first watercolour, Centaurs Hunting, at the age of eight. Another work, completed in 1866 when he was eleven, Queen Margaret and the Robbers is in the William Morris Gallery, Walthamstow. The present watercolour illustrates, with exact fidelity to detail, the episode in Morris’s The Life and Death of Jason (Book 7) in which the centaur Chiron receives the baby Jason from the slave. On 30 November 1868 his father wrote to George Rae: 'My son Nolly is hard at work on an infant Jason being delivered to the Centaur from Morris's book. This time it is a good sized watercolour and I think, will turn out very fine. He beats me in colour already, and I fancy, before many years he will beat me in other qualities also' (Hueffer, loc. cit.). The watercolour is offered with a first edition of works by Madox-Brown which were left unfinished at his death.

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