THANGKA REPRESENTANT UNE DIVINITE FEMININE
THANGKA REPRESENTANT UNE DIVINITE FEMININE

TIBET, XVEME SIECLE

細節
THANGKA REPRESENTANT UNE DIVINITE FEMININE
TIBET, XVEME SIECLE
Elle est représentée en vajrasana sur une base lotiforme à l'intérieur d'un médaillon. Ses mains principales sont en dharmacakramudra, les quatre autre mains tiennent des attributs divers. Elle est vêtue de sari et parée de bijoux. Ses trois visages sont empreints d'une expression sereine. Le médaillon central est entouré par les quatre Lokapalas et les neuf divinités représentant des planètes.
Dimensions: 29 x 25 cm. (11 ½ x 9 7/8 in.), encadré
來源
The Private Collection of Lionel and Danielle Fournier of Himalayan Art, collected in Europe during 1970s-1980s.
出版
P. Pal, Tibetan Painting, Ravi Kumar and Sotheby Publications, Basel and Scranton 1984, plate 49
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A FRAMED THANGKA DEPICTING A FEMALE DEITY
TIBET, XVEME SIECLE

拍品專文

This brilliant and vibrantly painted thangka portrays a six-armed and three-headed Buddhist female deity seated gracefully on a lotus base. Her principle hands are in dharmacakramudra, her secondary ones holding bow and arrow, and the upper pair showing vajra and lotus flower. Despite her attributes it has not been possible to identify her. She is wearing a long sari and shawl with billowing streamers. The deity is placed against a finely painted design of scrolling tendrils within a multi-coloured medallion. She is guarded by the four lokapalas placed outside the medallion. The upper register depicts Buddha Shakyamuni, the blue Vajradhara, the white Avalokiteshvara and the red-brown Manjushri. Below the medallion are placed a monk to one side with opposite offerings. The other nine deities most likely present the nine planets.
Some details like the modelling of the folds of her skirt, twisting patterns of her scarfs, the use of the colour rose, the drawing of her fingers might indicate a western Tibetan, Guge, origin. Most likely this powerful thangka was executed around the mid-fifteenth century.

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