A PAIR OF WHITE AND GREEN-PAINTED PINE TORCHERES
This lot will be removed to Christie’s Park Royal.… Read more
A PAIR OF WHITE AND GREEN-PAINTED PINE TORCHERES

OF GEORGE III STYLE, 19TH CENTURY

Details
A PAIR OF WHITE AND GREEN-PAINTED PINE TORCHERES
OF GEORGE III STYLE, 19TH CENTURY
Each with a trefoil top above spreading foliate supports and a fluted column with boldly reeded knop on a foliate-carved tripod and scrolled feet, the shafts and legs pieced-up, restorations, the decoration distressed
51 ½ in. (131 cm.) high
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Lot Essay

The design for these torcheres bears comparison with a pair made in padouk which were formerly in the collection of the Birmingham industrialist A.C.J Wall, and which were sold twice at Christie’s, firstly in London by a descendant, 23 April 1998, lot 215 (£34,500 including premium), and again in New York, 20 May 2014, lot 32 ($21,250 inc’ prem’). The pattern for the upper part of the torchere relates to the pair supplied by Chippendale in 1758 to Blair Castle, Perthshire, and four more made by the Edinburgh wright, John Thompson in 1760 (illustrated in C. Gilbert, The Life and Work of Thomas Chippendale, Leeds, 1978, vol. II, p. 207, fig. 378), while the tripod base shows similarities with Chippendale’s 1772 designs for a tea table for Harewood House, Yorkshire; the tables were subsequently made by the local joiner and carver to Chippendale’s designs ( ibid. pp. 254-255, figs. 464 and 467). The white and green-japanned decoration, which appears to be the only layer of paint, clearly also owes a debt to Chippendale who supplied furniture in the same colours for Paxton House, Berwickshire in 1774, and for David Garrick’s Hampton villa in 1775.

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