YU FEI'AN (CHINA, 1888-1959)
THE FLORENCE AND HERBERT IRVING COLLECTION
于非闇 水仙拳石 設色絹本 鏡框 一九三七年作

NARCISSUS AND ROCK

細節
于非闇 水仙拳石 設色絹本 鏡框 一九三七年作
題識:
江妃虛卻蘂(珠)宮,銀漢仙人謫此中。
偶趁月明波上戲,一身冰雪舞東風。珠。
宋刻絲水仙拳石軸,怡王舊物。丁丑(1937年)嘉平臨於玉山硯齋,非闇于照。
鈐印:一字非闇、非闇丁丑年作
來源:歐雲伉儷珍藏。
27 7/8 x 15 ¾ in. (71 x 40.2 cm.)
來源
The Irving Collection.

拍品專文

One of the 20th-century masters of the bird-and-flower genre, Yu Fei’an creates his trademark calligraphic and painting style after emulating works by the calligraphers and painters he admires. He models his calligraphy after the hand of Emperor Huizong of the Song dynasty (r. 1100-1126), who invented his own highly individualistic “slender-gold” style.  Yu’s adherence to Emperor Huizong’s slender gold is evident in his inscription on Narcissus and Rock, where the uniformity of the line thickness and the angularity of the corners are pronounced. His narcissus suggests the influence of Zhao Mengjian (1199-1264), with sinuous leaves twisting and bending gracefully.

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