A KHOTAN CARPET
A KHOTAN CARPET
A KHOTAN CARPET
1 更多
A KHOTAN CARPET
4 更多
Specifed lots (sold and unsold) marked with a fill… 顯示更多 VARIOUS PROPERTIES
A KHOTAN CARPET

POSSIBLY FROM AKSU, EAST TURKESTAN, LATE 18TH/EARLY 19TH CENTURY

細節
A KHOTAN CARPET
POSSIBLY FROM AKSU, EAST TURKESTAN, LATE 18TH/EARLY 19TH CENTURY
Uneven light wear, corroded brown, scattered repiling throughout
11ft. x 5ft.3in. (337cm. x 163cm.)
來源
Purchased by Hans Bidder in Beijing, China in the period between 1920-1940
出版
Hans Bidder, Carpets from Eastern Turkestan, Tübingen, 1964, fig.38a, p.83
注意事項
Specifed lots (sold and unsold) marked with a filled square ( ¦ ) not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only.

拍品專文

It has been suggested that the unusual design of compartments containing a pair of Gul medallions on the present rug stems from the prayer safs that had been woven in number in east Turkestan during the reign of Yaqub Beg (1862-75) when he had been bestowed the title of Emir. Under Beg's instruction, religious guardians (Muhtasib) would aggressively enforce religious law with the use of leather whips. Fortunately when Beg's reign came to an end, these habits ended, as did the production of these prayer safs. (Hans Bidder, Carpets from East Turkestan, Tubingen, 1964, p.85). Bidder furthermore believes that this compartmentalised design without the former mihrab, was woven in the lesser known weaving centre of Aksu, an area on the southern slopes of the T'ien-shan range, a gathering point and market place for the Kirghiz and Torgut nomads. There is however very little documentary or technical evidence to support this attribution mostly due to the nomadic life style of the weavers, (J.Eskenazi, Il Tappeto Orientale dal XV al XVIII secolo, London, 1981, p.443).

更多來自 伊斯蘭與印度世界藝術品包括東方地毯

查看全部
查看全部